The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
अग्निवर्णो महोग्रश्च ततो विश्वविभूषणः । विघ्नक्षमो महासेनः सिंहा द्वात्रिंशदीरिताः ॥ ११ ॥
agnivarṇo mahograśca tato viśvavibhūṣaṇaḥ | vighnakṣamo mahāsenaḥ siṃhā dvātriṃśadīritāḥ || 11 ||
Puis l’on récite ces noms : Agnivarṇa, Mahogra, Viśvavibhūṣaṇa, Vighnakṣama, Mahāsena et Siṁha ; ainsi ont été proclamés les trente-deux (noms).
Suta (narrating the Purana in a recitation style; verse is part of a name-listing section)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: vira
It completes a structured enumeration—“thirty-two names”—indicating a formal nāma-list used for remembrance and worship, where each epithet praises divine power, protection, and cosmic sovereignty.
By presenting devotion as nāma-smaraṇa (remembering through names): the devotee contemplates qualities such as fiery splendor, lion-like courage, and the removal of obstacles, which steadies faith and focuses the mind on the deity’s attributes.
The verse reflects a technical, list-based liturgical format typical of mantra/stotra usage—useful for correct recitation and ritual sequencing (a practical concern aligned with Śikṣā/phonetics and disciplined worship procedure).