Mahāviṣṇu-Mantras: Aṣṭākṣarī, Sudarśana-Astra, Nyāsa Systems, Āvaraṇa-Pūjā, and Prayogas
भृगुः खड्राशचन्द्राढ्यो देव्या बीजमुदाहृतम् । ह्रस्वत्रयक्लीबसर्वरहितस्वरसंयुतम् ॥ १८४ ॥
bhṛguḥ khaḍrāśacandrāḍhyo devyā bījamudāhṛtam | hrasvatrayaklībasarvarahitasvarasaṃyutam || 184 ||
Le bīja de la Déesse est proclamé ainsi : « bhṛgu », joint aux syllabes indiquées par le son « khad » et à l’élément lunaire (candra), uni au son vocalique. Il doit être formé de trois voyelles brèves, exempt de toute adjonction klība (neutre).
Narada (teaching in a technical/Vedanga-style exposition, traditionally framed within Narada–Sanatkumara dialogue)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It emphasizes that mantra-power depends on precise phonetic construction—bīja mantras are not arbitrary words but carefully encoded sound-forms whose efficacy rests on correct syllables and vowels.
It supports bhakti through disciplined practice: devotion to the Goddess is expressed not only emotionally but also through accurate recitation and correct ritual sound, aligning the devotee’s speech with sacred order.
Shiksha and Vyakarana: the verse gives technical constraints for mantra formation—use of specific phonetic markers (like candra/bindu), correct vowel-joining (svara-saṃyoga), and avoidance of unwanted grammatical/phonetic additions.