Śeṣoditya-Sūrya-nyāsa, Soma-sādhana, Graha-pūjā, and Bhauma-vrata-vidhi
एकविंशतिकोष्ठेषु चक्रमारं च भूमिजम् । त्रिकोणेषु च सम्पूज्य बहिरष्टौ च मातृकाः ॥ ९४ ॥
ekaviṃśatikoṣṭheṣu cakramāraṃ ca bhūmijam | trikoṇeṣu ca sampūjya bahiraṣṭau ca mātṛkāḥ || 94 ||
Dans les vingt et un compartiments, qu’on place le Cakramāra et le Bhūmija (ce qui naît de la terre). Puis, après avoir dûment honoré les divinités dans les triangles, qu’on vénère aussi les huit Mātr̥kās à l’extérieur.
Narada (as transmitter of technical-ritual procedure, within the Narada–Sanatkumara dialogue framework)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It teaches that spiritual power is invoked through ordered worship—specific placements in a mandala (compartments, triangles, and outer enclosure) reflect disciplined alignment of energies and deities, culminating in protection and completeness through the eight Mātr̥kās.
Bhakti here appears as precise, reverent service: the devotee honors each deity in its proper locus of the sacred diagram, showing attentive devotion expressed through ritual correctness and wholehearted worship (sampūjya).
It highlights ritual-technical procedure—mandala/yantra construction and deity-placement rules (a practical application aligned with Kalpa-style ritual methodology used in Purāṇic technical sections).