Śeṣoditya-Sūrya-nyāsa, Soma-sādhana, Graha-pūjā, and Bhauma-vrata-vidhi
तेनाच्छाद्यार्ध्यपात्रं च जपेन्मनुमनन्यधीः । अष्टोत्तरशतावृत्त्या पुनः संपूज्य भास्करम् ॥ ४२ ॥
tenācchādyārdhyapātraṃ ca japenmanumananyadhīḥ | aṣṭottaraśatāvṛttyā punaḥ saṃpūjya bhāskaram || 42 ||
Ensuite, en recouvrant de cela le vase d’arghya, le pratiquant—l’esprit sans partage—doit réciter le mantra en japa ; et, l’ayant répété cent huit fois, qu’il rende de nouveau un culte dû à Bhāskara (le Soleil).
Sanatkumara (teaching Narada the technical procedure of Surya-upasana within Vedanga-oriented ritual context)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It emphasizes disciplined, single-pointed mantra-japa joined with arghya-offering, presenting Surya (Bhāskara) worship as a precise sādhanā where attention (ananya-dhī) and correct count (108) complete the rite.
Bhakti here is expressed through attentive service—offering arghya, chanting the mantra with unwavering mind, and re-worshipping the deity—showing devotion as consistent, reverent practice rather than mere emotion.
It highlights ritual procedure and mantra-prayoga: handling the arghya-pātra, performing japa, and using the canonical count of 108—reflecting technical discipline aligned with Vedanga-style precision in rites.