Śeṣoditya-Sūrya-nyāsa, Soma-sādhana, Graha-pūjā, and Bhauma-vrata-vidhi
सांगं सावरणं तत्रावाह्यार्कं पूर्ववद्यजेत् । गंधपुष्पधूपदीपनैवेद्याद्यै र्विधानतः ॥ ४० ॥
sāṃgaṃ sāvaraṇaṃ tatrāvāhyārkaṃ pūrvavadyajet | gaṃdhapuṣpadhūpadīpanaivedyādyai rvidhānataḥ || 40 ||
Là, après avoir invoqué (āvāhya) le Soleil, Arka, qu’on l’adore comme auparavant—avec ses membres et ses assistants (sāṅga) et avec son entourage qui l’enveloppe (sāvaraṇa)—selon la règle, par les parfums, les fleurs, l’encens, les lampes, les offrandes de nourriture (naivedya) et le reste.
Sanatkumara (in instruction to Narada, arcana/ritual context)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It emphasizes complete and orderly worship: the deity is invoked and honored not only in isolation but along with his associated powers and surrounding deities (āvaraṇa), using the standard upacāras in a rule-based (vidhānataḥ) manner.
Bhakti here is expressed as disciplined arcana—invocation, reverence, and offering (gandha, puṣpa, dhūpa, dīpa, naivedya) performed with attentiveness and fidelity to tradition, turning devotion into a structured daily practice.
It highlights ritual procedure (vidhi) and the āvaraṇa/sāṅga framework used in formal worship—practical knowledge aligned with kalpa-style ritual organization (how offerings and associated deities are arranged and honored).