Śeṣoditya-Sūrya-nyāsa, Soma-sādhana, Graha-pūjā, and Bhauma-vrata-vidhi
प्रभूतं विमलं शारं समाराध्यमनंतरम् । परमादिमुखं मध्ये खबिंबांतं प्रपूजयेत् ॥ २३ ॥
prabhūtaṃ vimalaṃ śāraṃ samārādhyamanaṃtaram | paramādimukhaṃ madhye khabiṃbāṃtaṃ prapūjayet || 23 ||
Ensuite, qu’on adore ce Principe essentiel, surabondant et sans tache, aussitôt accessible à la vénération, dont le Visage suprême et primordial est établi au milieu et s’étend jusqu’à l’orbe du ciel (la sphère céleste).
Narada (in instruction/dialogue context with the Sanatkumara tradition)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It directs the practitioner to worship the pure, essential Supreme Reality as both immediately accessible and cosmically all-pervading—centered within the contemplative ‘middle’ yet extending to the celestial sphere.
Bhakti here is expressed as focused upāsanā: reverent worship of the Supreme in a concrete contemplative form (‘face’/manifest aspect) while remembering its vast, stainless, essential nature.
It reflects a technical upāsanā/ritual-visualization instruction—centering (madhye) and cosmic mapping (kha-bimba)—typical of Vedanga-adjacent procedural guidance used in worship and meditative rites.