Gaṇeśa Mantra-vidhi: Mahāgaṇapati Gāyatrī, Vakratuṇḍa Mantra, Nyāsa, Homa, Āvaraṇa-pūjā, and Caturthī Vrata
षड्दीर्घाढ्येन बीजेन यं च बीजादिना पुनः । षङंगानि न्यसेदस्य जातियुक्तानि मंत्रवित् ॥ ७ ॥
ṣaḍdīrghāḍhyena bījena yaṃ ca bījādinā punaḥ | ṣaṅaṃgāni nyasedasya jātiyuktāni maṃtravit || 7 ||
Le connaisseur des mantras doit accomplir le nyāsa des six membres au moyen de la syllabe‑graine pourvue de six voyelles longues, puis de nouveau avec la bīja commençant par « yaṃ » ; ainsi il installera les six aṅga, chacun uni à sa « jāti » (classe ou forme d’intonation) propre.
Narada (teaching technical ritual procedure within Vedanga-oriented material)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It emphasizes that mantra-power is activated through disciplined ritual placement (nyāsa) and correct phonetic form, aligning the practitioner’s body and speech with the mantra’s sacred structure.
It supports devotion by prescribing precise ritual methods that help a devotee internalize the deity/mantra through bodily installation, making worship focused, reverent, and steady.
It highlights Śikṣā (phonetics/recitation) and mantra-vidhi: correct vowel-length (dīrgha), seed-syllables (bīja), and structured ṣaḍaṅga-nyāsa as practical ritual-grammar.