Gaṇeśa Mantra-vidhi: Mahāgaṇapati Gāyatrī, Vakratuṇḍa Mantra, Nyāsa, Homa, Āvaraṇa-pūjā, and Caturthī Vrata
सहितौ निजशक्तिभ्यां ध्यात्वा पूर्ववदर्चयेत् । केशरेषु षडंगानि पत्रेष्वष्टौ तु मातरः ॥ ३४ ॥
sahitau nijaśaktibhyāṃ dhyātvā pūrvavadarcayet | keśareṣu ṣaḍaṃgāni patreṣvaṣṭau tu mātaraḥ || 34 ||
Après avoir médité sur les deux Divinités ensemble, unies à leurs Śaktis propres et essentielles, qu’on les adore comme il fut prescrit plus haut. Sur les filaments (keśara) qu’on établisse les six auxiliaires (ṣaḍaṅga), et sur les pétales qu’on établisse les huit Puissances‑Mères (aṣṭa‑mātṛkāḥ).
Narada (teaching in a technical/ritual context, traditionally within the Narada–Sanatkumara dialogue framework)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It teaches that worship is not merely external offering: the deity is contemplated together with Śakti, and the rite is completed by placing (nyāsa) mantra-energies—ṣaḍaṅga and the Mātṛkās—into the worship-lotus, making the practice both contemplative and energetically structured.
Bhakti here is disciplined devotion: the devotee first performs dhyāna (inner recollection of the deity with Śakti) and then follows pūrvavat-vidhi (scriptural method), showing devotion expressed through precise, reverent ritual order.
It highlights applied ritual-technology: mantra-nyāsa and the use of ṣaḍaṅga (mantra auxiliaries) and Mātṛkā placements on specific parts of a lotus/yantra—an example of technical liturgical procedure aligned with Vedic auxiliary disciplines used in worship.