Gaṇeśa Mantra-vidhi: Mahāgaṇapati Gāyatrī, Vakratuṇḍa Mantra, Nyāsa, Homa, Āvaraṇa-pūjā, and Caturthī Vrata
विभक्तैर्मूलगायत्र्या हृदंतैरष्टभिः पदैः । भालदेशे मुखे कण्ठे हृदि नाभ्यूरुजानुषु ॥ १३ ॥
vibhaktairmūlagāyatryā hṛdaṃtairaṣṭabhiḥ padaiḥ | bhāladeśe mukhe kaṇṭhe hṛdi nābhyūrujānuṣu || 13 ||
Avec les huit divisions (pada) de la mūla-gāyatrī, chacune se terminant par la syllabe « hṛt », qu’on accomplisse le nyāsa en les posant sur la région du front, le visage, la gorge, le cœur, le nombril, les cuisses et les genoux.
Sanatkumara (in instruction to Narada, within a Vedanga/ritual-technical teaching context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It teaches mantra-nyāsa: internalizing Gāyatrī by ritually placing its divisions onto key body centers, treating the practitioner’s body as a sacred support for mantra-upāsanā.
Though technical, it supports devotional upāsanā by making remembrance of the mantra continuous and embodied—turning recitation into a disciplined, reverential practice rather than mere sound.
It highlights applied ritual technology—nyāsa and mantra-vinyāsa—typical of technical Vedic practice, where a mantra is segmented (pada-bheda) and assigned to specific bodily loci for focused meditation.