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Narada Purana — Purva Bhaga, Shloka 8

Devapūjā-krama: Ārghya-saṃskāra, Maṇḍala–Nyāsa, Mudrā-pradarśana, Āvaraṇa-arcana, Homa, Japa, and Kṣamāpaṇa

ततस्तु साधकश्रेष्टः स्तंभयेच्छंखमुद्रया । आग्नेयादिषु कोणेषु हृदाद्यंगचतुष्टयम् ॥ ८ ॥

tatastu sādhakaśreṣṭaḥ staṃbhayecchaṃkhamudrayā | āgneyādiṣu koṇeṣu hṛdādyaṃgacatuṣṭayam || 8 ||

Ensuite, le meilleur des pratiquants doit immobiliser et affermir les quatre membres auxiliaires du mantra, à commencer par celui du Cœur (Hṛd), dans les angles en partant du Sud-Est d’Agni et des autres, au moyen de la mudrā de la Conque (Śaṅkha).

ततःthen/thereafter
ततः:
कालाधिकरण (Temporal adverbial)
TypeIndeclinable
Rootततः (अव्यय)
Formअव्यय (adverb), क्रम/अनन्तरार्थक (thereafter)
तुindeed/then
तु:
सम्बन्ध (particle)
TypeIndeclinable
Rootतु (अव्यय)
Formअव्यय, अवधान/विरोधसूचक (particle)
साधक-श्रेष्ठःthe best practitioner
साधक-श्रेष्ठः:
कर्ता (कर्ता/Subject)
TypeNoun
Rootसाधक + श्रेष्ठ (प्रातिपदिक)
Formपुंलिङ्ग (Masculine), प्रथमा (Nominative/1st), एकवचनम्; कर्मधारयः—‘श्रेष्ठः साधकः’
स्तम्भयेत्should immobilize/stop
स्तम्भयेत्:
क्रिया (क्रियापद)
TypeVerb
Rootस्तम्भ् (धातु)
Formविधिलिङ् (Optative), परस्मैपदम्, प्रथमपुरुषः, एकवचनम्
शंख-मुद्रयाwith the conch mudrā
शंख-मुद्रया:
करण (करणम्/Instrument)
TypeNoun
Rootशंख + मुद्रा (प्रातिपदिक)
Formस्त्रीलिङ्ग (Feminine), तृतीया (Instrumental/3rd), एकवचनम्; तत्पुरुषः—‘शंखस्य मुद्रा’ (conch-gesture)
आग्नेय-आदिषुin (the directions) beginning with the southeast
आग्नेय-आदिषु:
अधिकरण (अधिकरणम्/Location)
TypeAdjective
Rootआग्नेय + आदि (प्रातिपदिक)
Formपुंलिङ्ग (Masculine) बहुवचनम्, सप्तमी (Locative/7th); तत्पुरुषः—‘आग्नेयः आदिः येषाम्’ (starting with the southeast)
कोणेषुin the corners
कोणेषु:
अधिकरण (अधिकरणम्/Location)
TypeNoun
Rootकोण (प्रातिपदिक)
Formपुंलिङ्ग (Masculine), सप्तमी (Locative/7th), बहुवचनम्
हृदादि-अङ्ग-चतुष्टयम्the set of four limbs starting with hṛd
हृदादि-अङ्ग-चतुष्टयम्:
कर्म (कर्म/Object)
TypeNoun
Rootहृद् + आदि + अङ्ग + चतुष्टय (प्रातिपदिक)
Formनपुंसकलिङ्ग (Neuter), द्वितीया (Accusative/2nd), एकवचनम्; तत्पुरुषः—‘हृदादीनि अङ्गानि (यस्य) चतुष्टयम्’ (set of four limbs starting with hṛd)

Sanatkumara (teaching Narada in a technical/ritual context)

Vrata: none

Primary Rasa: shanta

Secondary Rasa: vira

A
Agni (directional deity/Agni corner)
Ś
Śaṅkha (Conch mudrā)

FAQs

It teaches ritual steadiness: the practitioner ‘stabilizes’ the mantra-auxiliaries (aṅgas) with a mudrā, establishing control, protection, and focused continuity of worship before proceeding further.

Bhakti here is disciplined and methodical—devotion is supported by correct ritual acts (mudrā and directional placement), which help keep the mind steady and the worship space safeguarded for sustained remembrance of the deity.

Directional ritual application (dik/koṇa placement) and technical mantra procedure (aṅga-catuṣṭaya, mudrā-based stambhana) reflect a Vedāṅga-like emphasis on precise ritual performance and liturgical method.