Devapūjā-krama: Ārghya-saṃskāra, Maṇḍala–Nyāsa, Mudrā-pradarśana, Āvaraṇa-arcana, Homa, Japa, and Kṣamāpaṇa
शुक्लश्वेतसितश्यामकृष्णरक्तार्चिषः क्रमात् । वराभयकरा ध्येयाः स्वस्वदिक्ष्वं गशक्तयः ॥ ७८ ॥
śuklaśvetasitaśyāmakṛṣṇaraktārciṣaḥ kramāt | varābhayakarā dhyeyāḥ svasvadikṣvaṃ gaśaktayaḥ || 78 ||
Dans l’ordre, leurs radiances sont : blanc, blanc éclatant, blanc pâle, bleu sombre, noir et rouge. Portant les mudrā d’octroi de dons et d’absence de crainte, ces śakti de l’Aṃga doivent être méditées dans leurs directions respectives.
Sanatkumara (teaching Narada in the Vedanga/technical context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It teaches a precise dhyāna method: visualize the deity’s śaktis by direction, color, and mudrā (boon and fearlessness), aligning the practitioner’s mind with an ordered cosmic structure.
Bhakti here is expressed as focused meditation (upāsanā): contemplating compassionate protection (abhaya) and grace (vara) through clearly defined divine forms, which stabilizes devotion and inner trust.
It reflects technical ritual-visualization rules—dik-viniyoga (directional assignment) and varṇa/arci (color-radiance coding)—commonly used in mantra-upāsanā and yantra/nyāsa style practices.