Mantraśodhana, Dīkṣā-krama, Guru-Pādukā, Ajapā-Haṃsa, and Ṣaṭcakra-Kuṇḍalinī Sādhana
सुषुम्णावर्त्मनातां च षट्चक्रक्रमभेदिनीम् । गुरुपदिष्टविधिना ब्रह्मरंध्रं नयेत्सुधीः ॥ ७१ ॥
suṣumṇāvartmanātāṃ ca ṣaṭcakrakramabhedinīm | gurupadiṣṭavidhinā brahmaraṃdhraṃ nayetsudhīḥ || 71 ||
Suivant la voie de la suṣumṇā et perçant l’enchaînement des six cakras, le sage—selon la méthode transmise par le guru—doit la conduire jusqu’au brahma-randhra, « l’ouverture de Brahman » au sommet du crâne.
Sanatkumara (teaching Narada in a technical-yogic context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It frames liberation-oriented yoga as a disciplined inner ascent: the vital-spiritual current is guided through the central channel, transcending successive psycho-spiritual centers (ṣaṭ-cakra) and culminating at the brahma-randhra—symbolizing the highest integration and release toward Brahman.
While the verse is primarily yogic/technical, it implicitly supports bhakti by emphasizing guru-guided surrender to an authorized method; in Narada Purana, such disciplined inner practice is typically harmonized with devotion as the purified mind becomes fit for single-pointed remembrance of the Divine.
It highlights a technical discipline aligned with the Purana’s ‘third pada’ focus on structured knowledge: precise method (vidhi), teacher-transmission (guru-upadeśa), and an ordered progression (krama) through subtle anatomy—presented with the rigor expected of śāstric practice.