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Narada Purana — Purva Bhaga, Shloka 57

Dīkṣā, Mantra-Types, Mantra-Doṣas, and Qualifications of Ācārya–Śiṣya

चतुःशतं समारभ्य सहस्रार्णावधि द्विज । अतिवृद्धाः प्रयोगेषु शिथिलास्ते समीरिताः ॥ ५७ ॥

catuḥśataṃ samārabhya sahasrārṇāvadhi dvija | ativṛddhāḥ prayogeṣu śithilāste samīritāḥ || 57 ||

Ô deux-fois-né, depuis la mesure de quatre cents jusqu’à la limite de mille syllabes, ces textes sont dits démesurément longs et, dans l’usage rituel, ils deviennent relâchés et sans efficacité.

चतुःशतम्four hundred
चतुःशतम्:
Karma (कर्म)
TypeNoun
Rootचतुः-शत (प्रातिपदिक; चतुः + शत)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया (1st/2nd), एकवचन; संख्यासमास (द्विगु)
समारभ्यstarting from
समारभ्य:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootसम्-आ-रभ् (धातु)
Formक्त्वान्त अव्यय (Gerund/Absolutive), ‘having begun/starting from’
सहस्रार्णावधिup to a thousand syllables
सहस्रार्णावधि:
Adhikaraṇa (अधिकरण)
TypeIndeclinable
Rootसहस्र-अर्ण-अवधि (प्रातिपदिक; सहस्र + अर्ण + अवधि)
Formअव्यय (indeclinable) ‘up to’; तत्पुरुषसमास (सीमावाचक)
द्विजO twice-born (brahmin)
द्विज:
Sambodhana (सम्बोधन)
TypeNoun
Rootद्विज (प्रातिपदिक)
Formपुंलिङ्ग, सम्बोधन (8th/सम्बोधन), एकवचन
अतिवृद्धाःovergrown/excessively long
अतिवृद्धाः:
Karta (कर्ता)
TypeAdjective
Rootअति-वृद्ध (प्रातिपदिक; अति + वृद्ध)
Formपुंलिङ्ग, प्रथमा (1st), बहुवचन; विशेषण
प्रयोगेषुin practice/usage
प्रयोगेषु:
Adhikaraṇa (अधिकरण)
TypeNoun
Rootप्रयोग (प्रातिपदिक)
Formपुंलिङ्ग, सप्तमी (7th), बहुवचन
शिथिलाःloose/ineffective
शिथिलाः:
Karta (कर्ता)
TypeAdjective
Rootशिथिल (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), बहुवचन; विशेषण
तेthey/those (mantras)
ते:
Karta (कर्ता)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), बहुवचन; सर्वनाम
समीरिताःare declared/called
समीरिताः:
Kriyā (क्रिया)
TypeVerb
Rootसम्-ईर् (धातु)
Formकृदन्त (क्त/PPP), पुंलिङ्ग, प्रथमा (1st), बहुवचन; ‘are said/declared’ (passive sense)

Sanatkumara (in dialogue with Narada)

Vrata: none

Primary Rasa: shanta

Secondary Rasa: bhakti

N
Narada
D
Dvija

FAQs

It emphasizes disciplined, well-measured sacred recitation: overly expanded formulations can lose practical force, so dharmic practice should be precise rather than merely lengthy.

By implying that devotion is strengthened by focused, correctly applied worship; bloated or careless performance can dilute attention and steadiness, which are essential for bhakti-based practice.

It reflects Prayoga-oriented discipline tied to Vedanga concerns—especially Shiksha (phonetics/syllable measure) and Kalpa (ritual procedure)—stressing appropriate length and usable liturgical form.