Narada Purana — Purva Bhaga, Shloka 37
Dīkṣā, Mantra-Types, Mantra-Doṣas, and Qualifications of Ācārya–Śiṣya
विरामस्थानगं चास्रं हतवीर्यः स उच्यते । मंत्रस्यादौ च मध्ये च मूर्ध्नि चास्रचतुष्टयम् ॥ ३७ ॥
virāmasthānagaṃ cāsraṃ hatavīryaḥ sa ucyate | maṃtrasyādau ca madhye ca mūrdhni cāsracatuṣṭayam || 37 ||
La syllabe du mantra qui tombe sur un lieu de pause est dite affaiblir sa puissance. Dans un mantra, il existe quatre points ‘asra’ : au début, au milieu, à la fin, et à la tête ou au sommet (la partie principale).
Sanatkumara (in instruction to Narada on mantra-recitation and Śikṣā)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
FAQs
It teaches that mantra-siddhi depends on precise Śikṣā (phonetics): if recitation is broken by improper pauses or placed at sensitive points, the mantra’s efficacy is considered weakened.
Even in bhakti-oriented practice, the Purana emphasizes disciplined recitation—devotion is supported by correct mantra-utterance, showing that sincerity and proper method work together.
Śikṣā (Vedic phonetics): guidance about virāma (pause), structural points in a mantra (beginning/middle/end/crest), and how such placement impacts ritual recitation and results.