The Greatness of Viṣṇu
Uttaṅka’s Hymn, Hari’s Manifestation, and the Boon of Bhakti
कालात्मकं कालविभागहेतुं गुणत्रयातीतमहं गुणज्ञम् । गुणप्रियं कामदमस्तसङ्गमतीन्द्रि यं विश्वभुजं वितृष्णम् ॥ ३५ ॥
kālātmakaṃ kālavibhāgahetuṃ guṇatrayātītamahaṃ guṇajñam | guṇapriyaṃ kāmadamastasaṅgamatīndri yaṃ viśvabhujaṃ vitṛṣṇam || 35 ||
Je médite sur Lui—l’essence même du Temps et la cause de ses divisions; au-delà des trois guṇa tout en connaissant les guṇa; ami de la vertu, dispensateur de désirs légitimes; libre de tout attachement, au-delà des sens; soutien et jouisseur de l’univers, et pourtant sans aucune soif.
Narada
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It presents Vishnu as the supreme reality who governs Time yet remains beyond material nature (the three guṇas), guiding the seeker toward liberation through detachment and cravinglessness.
Bhakti here is expressed as contemplative praise (stuti) of Vishnu’s attributes—atīndriya, gunātīta, astasaṅga—so devotion becomes a means to purify desire and anchor the mind in the transcendent Lord.
The verse points to the concept of kāla-vibhāga (divisions of time), which connects to Jyotiṣa Vedāṅga—time-reckoning for auspicious timings and ritual calendars—while emphasizing that the Lord is the ultimate basis of such measures.