Threefold Suffering, Twofold Knowledge, and the Definition of Bhagavān (Vāsudeva); Prelude to Keśidhvaja–Janaka Yoga
ज्ञेयं ज्ञातेति तथा भकारोऽर्थद्वयात्मकः । तेनागमपिता स्रष्टा गकारोऽयं तथा मुने ॥ १६ ॥
jñeyaṃ jñāteti tathā bhakāro'rthadvayātmakaḥ | tenāgamapitā sraṣṭā gakāro'yaṃ tathā mune || 16 ||
La syllabe « bha » porte un double sens : « ce qui doit être connu » et « le connaisseur ». Ainsi, ô sage, la syllabe « ga » doit être comprise comme le père des Āgama et aussi comme le Créateur.
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It frames liberation-oriented contemplation through mantra-phonetics: reality is understood as both the object of knowledge (jñeya) and the knowing subject (jñātā), pointing toward non-dual discernment in Moksha-Dharma.
By identifying the knower and the known within sacred sound, it supports bhakti as contemplative worship—meditating on the Lord as both the one to be realized and the inner witness who enables realization.
It reflects Śikṣā (phonetics) and mantra-vicāra: analyzing syllables (varṇa) and their intended meanings as a disciplined method for recitation, meditation, and doctrinal understanding.