अविमुक्तक्षेत्रमाहात्म्य — काशी-वाराणसी में मोक्ष, लिङ्ग-तीर्थ-मानचित्र, और उपासना-विधि
चन्द्रांशुजालशबलैस् तिलकैर् मनोज्ञैः सिन्दूरकुङ्कुमकुसुम्भनिभैर् अशोकैः चामीकरद्युतिसमैरथ कर्णिकारैः पुष्पोत्करैरुपचितं सुविशालशाखैः
candrāṃśujālaśabalais tilakair manojñaiḥ sindūrakuṅkumakusumbhanibhair aśokaiḥ cāmīkaradyutisamairatha karṇikāraiḥ puṣpotkarairupacitaṃ suviśālaśākhaiḥ
Il était richement paré de charmantes marques semblables à des tilaka, tachetées comme un filet de rayons de lune; et chargé d’amas de fleurs sur des branches vastes et largement déployées : des aśoka rouges luisant comme le sindūra, le kuṅkuma et la teinture de kusumbha, et des karṇikāra éclatant d’une splendeur d’or. Dans une telle beauté sanctifiée, l’esprit du paśu se tourne naturellement vers Pati (Śiva) et la voie du culte de Śiva.
Suta Goswami (narrating to the sages of Naimisharanya)
The verse sacralizes the worship-environment: fragrant, luminous flowers and expansive branches indicate a purified kṣetra where the mind becomes fit for liṅga-pūjā—moving the paśu from sensory attraction toward devotion to Pati (Śiva).
Śiva-tattva is implied as the supreme purifier whose presence is mirrored by moonlike coolness, golden radiance, and auspicious markings—symbols of sattva and śuddhi that loosen pāśa (bondage) by directing awareness toward the Lord.
It points to pūjā-vidhi through upacāras—especially puṣpa-offering and creating a sanctified setting—supporting inner recollection (smaraṇa) that aligns with Pāśupata discipline: turning the bound soul from distraction to Śiva-centered contemplation.