ध्यानयज्ञः, संसार-विष-निरूपणम्, पाशुपतयोगः, परा-अपरा विद्या, चतुर्वस्था-विचारः (अध्यायः ८६)
यः सत्त्वनिष्ठो मद्भक्तो मदर्चनपरायणः सर्वतो धर्मनिष्ठश् च सदोत्साही समाहितः
yaḥ sattvaniṣṭho madbhakto madarcanaparāyaṇaḥ sarvato dharmaniṣṭhaś ca sadotsāhī samāhitaḥ
Celui qui demeure établi dans le sattva, qui est Mon dévot, voué à Mon culte, ferme dans le dharma en toute chose, toujours ardent et intérieurement recueilli—celui-là est Mon véritable bhakta.
Shiva (as Pati) instructing on the marks of the Shiva-bhakta; framed through Suta’s narration to the sages
It defines Linga-arcana as not merely external ritual but worship rooted in sattva, dharma, sustained zeal, and a collected mind—qualities that make the puja efficacious and Shiva-centered.
Shiva is implied as Pati—the Lord who is approached through purity (sattva), dharmic living, and inner composure; the devotee’s alignment of conduct and consciousness becomes the doorway to Shiva-tattva.
Arcana (formal worship) is highlighted along with samāhita-bhāva—yogic collectedness akin to Pashupata discipline, where steadiness in dharma and focused mind support liberation of the pashu from pasha through devotion to Pati.