Shloka 16

विष्णुरुवाच—एकाक्षर-प्रणव-लिङ्ग-व्याप्ति-शिवस्तोत्रम्

Devanagari script

ऋद्धिशोकविशोकाय पिनाकाय कपर्दिने विपाशाय सुपाशाय नमस्ते पाशनाशिने

Transliteration

ṛddhiśokaviśokāya pinākāya kapardine vipāśāya supāśāya namaste pāśanāśine

Translation

Salutations à Toi, qui es la prospérité même, qui ôtes le chagrin et que le chagrin n’atteint pas; au Porteur de l’arc Pināka, au Seigneur aux mèches nattées. À Celui qui est libre de tout lien et dont le lasso est de bon augure — ô Destructeur du pāśa, les entraves qui lient le pashu (l’âme individuelle).

Word by Word

• ṛddhi: spiritual prosperity, auspicious increase

• śoka: sorrow

• viśoka: free from sorrow / sorrow-dispelling

• pināka: Shiva’s bow

• kapardin(e): the matted-haired Lord

• vipāśa: free from bonds / without fetter

• supāśa: auspicious noose, benevolent restraint

• namas-te: salutations to You

• pāśa-nāśine: destroyer of bondage/fetters

Speaker

Suta Goswami (narrating a received Shiva-stuti within the Purva-Bhaga context)

Characters & Entities

• Shiva

FAQs

What is the importance of this verse in the context of Linga worship?

It frames Linga-bhakti as a liberation-oriented practice: the devotee praises Shiva as Pāśanāśin—the One who cuts the soul’s bonds—so worship is aimed at moksha, not merely worldly gain.

How does this verse describe the nature of Shiva (Shiva-tattva)?

Shiva is presented as Pati: inherently free (vipāśa), compassionate controller (supāśa), and the transcendent Lord who both governs and finally dissolves pasha, removing śoka while remaining viśoka (untouched by it).

What ritualistic or Yogic practice is highlighted here?

Stuti/japa as Pāśupata-oriented sādhana: repeated remembrance of Shiva’s names and functions (especially as pāśanāśin) is used as an inner discipline to loosen bondage and turn the pashu toward grace and release.