Adhyaya 17: लिङ्गोद्भव—ब्रह्मविष्ण्वहङ्कार-शमनं, ओंकार-प्रादुर्भावः, मन्त्र-तत्त्वं च
एवमोमोमिति प्रोक्तम् इत्याहुर्यजुषां वराः यजुषां वचनं श्रुत्वा ऋचः सामानि सादरम्
evamomomiti proktam ityāhuryajuṣāṃ varāḥ yajuṣāṃ vacanaṃ śrutvā ṛcaḥ sāmāni sādaram
«Ainsi, “Om, Om” est proclamé», dirent les plus éminents parmi les chantres du Yajus. Entendant la parole du Yajus, les strophes du Ṛk et les chants du Sāman répondirent d’un accord révérencieux, s’harmonisant en louange sacrée du Pati suprême, Śiva.
Suta Goswami (narrating the Vedic acclamation around the Linga’s manifestation)
It shows that at the Linga’s manifestation, Vedic currents converge on the Praṇava—‘Om’—indicating that Linga-pūjā is rooted in Vedic reverence and culminates in one supreme object of worship: Śiva as Pati.
By portraying Ṛk and Sāman harmonizing after the Yajus’ proclamation of Om, the verse points to Shiva-tattva as the unifying ground of all Vedic sound—beyond sectarian division—where mantra resolves into the Supreme Lord, Pati.
Praṇava-japa and Vedic recitation in coordinated worship: the repeated ‘Om’ functions as a mantra-key that aligns speech and mind toward Śiva, supporting inner Pāśupata orientation (turning the pashu toward Pati through mantra).