Devapūjā, Vaiśvadeva Offering, and Bali (देवपूजावैश्वदेवबलिः)
हिरण्यवर्णा इति च पाद्यञ्च तिसृभिर्द्विज शन्न आपो ह्य् आचमनमिदमापो ऽभिषेचनं
hiraṇyavarṇā iti ca pādyañca tisṛbhirdvija śanna āpo hy ācamanamidamāpo 'bhiṣecanaṃ
«Hiraṇyavarṇā (les eaux à la teinte d’or)»—par ce mantra, on doit offrir l’eau pour les pieds (pādya). Ô deux-fois-né, avec les trois versets commençant par «Śaṃ na āpo…», on accomplira l’ācamanā, le rite de boire à petites gorgées l’eau purificatrice; et avec «Idam āpaḥ…», on fera l’abhiṣecana, l’aspersion/ablution rituelle.
Lord Agni (in instruction to sage Vasiṣṭha / the listener addressed as ‘dvija’)
Vidya Category: {"primary_vidya":"Mantra","secondary_vidya":"Dharmashastra","practical_application":"Vaidika-pūjā prayoga: mantra-selection for pādya, ācamanīya, and abhiṣeka/sprinkling so the acts are ritually valid and standardized.","sutra_style":true}
Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Pādya–Ācamana–Abhiṣeka Mantra-prayoga","lookup_keywords":["Hiraṇyavarṇā","Śaṃ na āpo","ācamanam","abhiṣecana","pādya"],"quick_summary":"Offer pādya with the ‘Hiraṇyavarṇā’ water-mantra; perform ācamanā with the three ‘Śaṃ na āpo…’ verses; do abhiṣecana/sprinkling with ‘Idam āpaḥ…’."}
Concept: Āpaḥ as purifier; mantra + kriyā-samyoga makes pūjā efficacious and dhārmika.
Application: Use the specified ṛk-mantras at each water-act to avoid mantra-vyatyaya (misapplication) in daily/temple worship.
Khanda Section: Puja-vidhi (Snana–Ācamana–Abhiṣeka Mantra-prayoga)
Primary Rasa: shanta
Secondary Rasa: adbhuta
Visual Art Cues: {"scene_description":"A pūjaka at a clean altar offers pādya, then performs ācamanā with a spoon and water-pot, then sprinkles/abhisecana over the deity or ritual space while reciting Vedic water-mantras.","kerala_mural_prompt":"Kerala temple mural style, priest in white mundu near a lamp-lit shrine, kalasha and conch, performing ācamanā and prokṣaṇa with sacred water, stylized lotus motifs, earthy reds and ochres, serene devotional atmosphere.","tanjore_prompt":"Tanjore painting, central deity on pedestal with ornate arch, priest offering pādya and sprinkling water, rich gold leaf highlights on vessels and halo, deep jewel tones, symmetrical composition.","mysore_prompt":"Mysore painting, instructional clarity: labeled ritual implements (kalaśa, pātra, udharaṇī), priest doing ācamanā and abhiṣeka, delicate lines, soft shading, clean background for didactic feel.","mughal_miniature_prompt":"Mughal miniature, courtly precision: a small shrine scene with detailed metal water-pot, spoon, and basin, priest performing sipping and sprinkling, fine textile patterns, architectural niche, subdued palette with intricate borders."}
Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Bhairav","pace":"medium","voice_tone":"instructional"}
Sandhi Resolution Notes: पाद्यञ्च → पाद्यम् + च; तिसृभिर्द्विज → तिसृभिः + द्विज; ह्य् → हि; आचमनमिदम् → आचमनम् + इदम्; आपो ऽभिषेचनम् → आपः + अभिषेचनम्; शन्न → शम् + नः (ऋग्वैदिक-सन्धि/उच्चारण).
Related Themes: Agni Purana Puja-vidhi sections on upacāras and mantra-prayoga (same khanda context); Agni Purana chapters detailing snāna, ācamana, and abhiṣeka in devapūjā
It gives mantra-prayoga (practical liturgical mapping): which specific Vedic water-mantras are to be applied for (1) pādya offering, (2) ācamanā (purificatory sipping), and (3) abhiṣecana (ritual sprinkling/ablution).
By functioning like a ritual manual: it catalogs precise mantra-to-action correspondences (pādya/ācamanā/abhiṣeka), showing the text’s compendium style that preserves procedural details alongside theology.
Ācamana and abhiṣeka are purification acts; performed with water-mantras, they ritually cleanse the practitioner and sanctify worship, supporting auspiciousness (śānti) and fitness for pūjā.