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Agni Purana — Vastu-Pratishtha & Isana-kalpa, Shloka 3

Chapter 94 — शिलाविन्यासविधानम्

The Procedure for Laying the Foundation Stones

दत्वा भूतबलिं लग्ने शिलान्यासमनुक्रमात् मध्यसूत्रे न्यसेच्छक्तिं कुम्भञ्चानन्तमुत्तमं

datvā bhūtabaliṃ lagne śilānyāsamanukramāt madhyasūtre nyasecchaktiṃ kumbhañcānantamuttamaṃ

Après avoir offert le bhūta-bali à l’instant propice, on doit ensuite accomplir, selon l’ordre prescrit, la pose des fondations (śilānyāsa). Sur la ligne-corde centrale (madhya-sūtra), qu’on place la Śakti, ainsi que le kumbha (vase rituel) excellent et Ananta.

दत्वाhaving given
दत्वा:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeVerb
Rootदा (धातु)
Formक्त्वान्त (absolutive/gerund), पूर्वक्रिया (prior action)
भूत-बलिम्offering to the beings
भूत-बलिम्:
Karma (कर्म)
TypeNoun
Rootभूत (प्रातिपदिक) + बलि (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (Accusative), एकवचन; षष्ठी-तत्पुरुष (bhūtānāṃ baliḥ)
लग्नेat the auspicious time / at the lagna
लग्ने:
Adhikaraṇa (अधिकरण)
TypeNoun
Rootलग्न (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी (Locative), एकवचन
शिला-न्यासम्placement of the stone(s)
शिला-न्यासम्:
Karma (कर्म)
TypeNoun
Rootशिला (प्रातिपदिक) + न्यास (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (Accusative), एकवचन; षष्ठी-तत्पुरुष (śilāyāḥ nyāsaḥ)
अनुक्रमात्in due order / sequentially
अनुक्रमात्:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootअनुक्रम (प्रातिपदिक)
Formअव्यय (adverbial), तसिल्-प्रत्ययान्त (ablatival adverb)
मध्य-सूत्रेin the central cord/line
मध्य-सूत्रे:
Adhikaraṇa (अधिकरण)
TypeNoun
Rootमध्य (प्रातिपदिक) + सूत्र (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी (Locative), एकवचन; कर्मधारय/तत्पुरुष (madhyaṃ sūtram / madhyasya sūtram)
न्यसेत्should place
न्यसेत्:
Kriyā (क्रिया)
TypeVerb
Rootनि+अस् (धातु)
Formविधिलिङ् (Optative), प्रथमपुरुष (3rd), एकवचन, परस्मैपद
शक्तिम्the power/śakti (implement/energy)
शक्तिम्:
Karma (कर्म)
TypeNoun
Rootशक्ति (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया (Accusative), एकवचन
कुम्भम्the pot
कुम्भम्:
Karma (कर्म)
TypeNoun
Rootकुम्भ (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (Accusative), एकवचन
and
:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक अव्यय (conjunction)
अनन्तम्Ananta / endless (name/epithet)
अनन्तम्:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootअनन्त (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (Accusative), एकवचन; विशेषण
उत्तमम्excellent, best
उत्तमम्:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootउत्तम (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (Accusative), एकवचन; विशेषण

Lord Agni (in instruction to the sage Vasiṣṭha, as per the common Agni Purāṇa dialogue frame)

Vidya Category: {"primary_vidya":"Vastu","secondary_vidya":"Mantra","practical_application":"Temple foundation rite sequence: bhūta-bali, śilānyāsa, and placement of Śakti-kalasha/Ananta on the central axis for stability and auspiciousness.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Śilānyāsa with Bhūta-bali, Madhya-sūtra Śakti and Ananta","lookup_keywords":["bhūta-bali","śilānyāsa","madhya-sūtra","kumbha-sthāpana","Ananta"],"quick_summary":"Begin foundation-laying after offering bhūta-bali at an auspicious lagna; establish the central axis (madhya-sūtra) and place Śakti, the auspicious kumbha, and Ananta to anchor the rite and the structure."}

Concept: Ritual order (krama) and axis-centering (madhya) as the means to invite and stabilize divine power in built space.

Application: Follow sequential rites and central-axis alignment to ensure sanctity and structural/ritual stability.

Khanda Section: Puja-vidhi / Vastu-vidhi (Temple foundation and installation rites)

Primary Rasa: shanta

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"A temple foundation pit with a central cord-line stretched; priests offering bhūta-bali; a ritual kumbha placed on the axis with symbols of Śakti; Ananta represented as a serpent-support motif near the kumbha.","kerala_mural_prompt":"Kerala temple mural style, warm earth pigments, priests in white mundu performing bhūta-bali beside a foundation pit, central cord-line clearly shown, a decorated kumbha with mango leaves and coconut, stylized Ananta serpent motif coiled near the axis, sacred geometry subtle in background.","tanjore_prompt":"Tanjore painting, gold-leaf highlights on the kumbha and Śakti emblem, richly ornamented ritual vessels, Ananta serpent rendered with embossed gold, temple foundation scene with symmetrical axis line, devotional yet architectural composition.","mysore_prompt":"Mysore painting style, clean linework emphasizing the madhya-sūtra cord and measured layout, priests placing Śakti and kumbha at the center, labeled ritual implements, muted pastel palette with precise instructional clarity.","mughal_miniature_prompt":"Mughal miniature, detailed construction site with measured cords, attendants holding ritual items, bhūta-bali offering in foreground, ornate kumbha at center, Ananta depicted as a refined serpent emblem, fine architectural draft-like borders."}

Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Bhairav","pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes: भूतबलिं = भूत-बलिम्; शिलान्यासम्; मध्यसूत्रे; न्यसेच्छक्तिं = न्यसेत् शक्तिम्; कुम्भञ्चानन्तमुत्तमं = कुम्भम् च अनन्तम् उत्तमम्

Related Themes: Agni Purana 94 (Vāstu/Pūjā-vidhi sequence: bhūta-bali, śilānyāsa, kumbha-sthāpana, nyāsa)

B
Bhūta-bali
Ś
Śilānyāsa
M
Madhyasūtra
Ś
Śakti
K
Kumbha
A
Ananta

FAQs

It teaches the ordered procedure of śilānyāsa: first appeasing elemental forces with bhūta-bali at an astrologically auspicious time, then placing key consecrated items—Śakti, kumbha, and Ananta—on the madhyasūtra (central alignment line).

It preserves specialized temple-building and consecration protocol (Vāstu/Pratiṣṭhā), integrating electional timing (lagna/Jyotiṣa), spatial geometry (madhyasūtra), and ritual installations (kumbha, Ananta), showing the Purāṇa’s coverage beyond mythology into applied sacred architecture.

By offering bhūta-bali and installing stabilizing, auspicious emblems at the temple’s centerline, the rite is meant to remove obstacles, harmonize the site’s subtle forces, and establish a firm, sanctified foundation that supports merit (puṇya) and ritual efficacy.