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Agni Purana — Vastu-Pratishtha & Isana-kalpa, Shloka 37

Chapter 92 — प्रतिष्ठाविधिकथनम्

Narration of the Consecration / Installation Procedure

नवानान्तु यथासङ्ख्यं निधिकुम्भः पूर्णस्तथोत्तरः आसनं प्रथमं दत्त्वा ताड्योल्लिख्यशराणुना

navānāntu yathāsaṅkhyaṃ nidhikumbhaḥ pūrṇastathottaraḥ āsanaṃ prathamaṃ dattvā tāḍyollikhyaśarāṇunā

Ensuite, selon l’ordre prescrit, (dispose) les neuf (cibles). Vient ensuite une «jarre de trésor» (nidhi-kumbha) remplie (jusqu’au bord). Après avoir d’abord pris la posture correcte de tir, on doit frapper puis marquer/inciser (la cible) avec la pointe de la flèche.

navānāmof the nine
navānām:
Sambandha (सम्बन्ध/Genitive)
TypeAdjective
Rootnava (प्रातिपदिक)
Formपुंलिङ्ग/नपुंसकलिङ्ग (m./n.), षष्ठी (Genitive, 6th), बहुवचन (plural); संख्यावाची (numeral)
tuindeed/but
tu:
Sambandha-bodhaka (सम्बन्धबोधक)
TypeIndeclinable
Roottu (अव्यय)
Formअव्यय; विरोध/विशेषार्थक (but/indeed)
yathā-saṅkhyamin due order
yathā-saṅkhyam:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootyathā-saṅkhya (अव्ययीभाव-प्रातिपदिक; yathā+saṅkhya)
Formअव्यय; अव्ययीभावसमास (adverbial): ‘according to the number/in due order’
nidhi-kumbhaḥNidhikumbha
nidhi-kumbhaḥ:
Karta (कर्ता)
TypeNoun
Rootnidhi-kumbha (प्रातिपदिक; nidhi+kumbha)
Formपुंलिङ्ग, प्रथमा, एकवचन; समासः—तत्पुरुष: ‘treasure-jar’; नाम
pūrṇaḥPūrṇa
pūrṇaḥ:
Karta (कर्ता)
TypeNoun
Rootpūrṇa (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; नाम
tathāalso
tathā:
Sambandha-bodhaka (सम्बन्धबोधक)
TypeIndeclinable
Roottathā (अव्यय)
Formअव्यय; समुच्चयार्थक
uttaraḥUttara
uttaraḥ:
Karta (कर्ता)
TypeNoun
Rootuttara (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; नाम
āsanama seat
āsanam:
Karma (कर्म)
TypeNoun
Rootāsana (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (Accusative, 2nd), एकवचन
prathamamfirst
prathamam:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootprathama (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया, एकवचन; विशेषण (qualifier of āsanam)
dattvāhaving given
dattvā:
Kriyā (क्रिया; pūrvakāla)
TypeVerb
Root√dā (दा धातु)
Formक्त्वान्त (absolutive/gerund), अव्ययभाव (indeclinable verbal); पूर्वकालिक क्रिया (prior action)
tāḍyahaving struck
tāḍya:
Kriyā (क्रिया; pūrvakāla)
TypeVerb
Roottāḍya (कृदन्त; √tāḍ/ताड् धातु)
Formल्यप्/क्त्वार्थक अव्यय (gerund-like, ‘having struck/after striking’); here as first member in a compound sequence
ullikhyahaving inscribed/scratched
ullikhya:
Kriyā (क्रिया; pūrvakāla)
TypeVerb
Rootullikhya (कृदन्त; √likh/लिख् धातु with ud-)
Formल्यप्/क्त्वार्थक अव्यय (gerund): ‘having scratched/inscribed’
śara-aṇunāwith the tip of an arrow
śara-aṇunā:
Karaṇa (करण)
TypeNoun
Rootśara-aṇu (प्रातिपदिक; śara+aṇu)
Formपुंलिङ्ग (masculine), तृतीया (Instrumental, 3rd), एकवचन; समासः—तत्पुरुष: ‘arrow-point/arrow-tip (minute point of an arrow)’

Lord Agni (in discourse to sage Vasiṣṭha, as per the common Agni Purana dialogue frame)

Vidya Category: {"primary_vidya":"Dhanurveda","secondary_vidya":"Samanya","practical_application":"Archery practice protocol: arranging targets in sequence, using a filled kumbha as a target, adopting correct stance, striking, and then marking the hit-point with the arrow-tip for accuracy training.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Archery Drill: Nine Targets and Nidhi-Kumbha Marking Practice","lookup_keywords":["Dhanurveda","āsana","target practice","nidhi-kumbha","arrow point"],"quick_summary":"Gives a stepwise drill: set nine targets in order, include a filled treasure-jar target, take proper shooting posture, strike, and incise/mark the target with the arrow-tip to verify precision."}

Weapon Type: Bow and arrow (śara)

Concept: Abhyāsa (repetition) with measurable feedback: posture + strike + mark = skill acquisition through verification.

Application: Design practice sessions with ordered targets and objective marking of hits to track improvement and correct form.

Khanda Section: Dhanurveda (Archery and weapon-practice procedures)

Primary Rasa: vira

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"An archer on a practice ground faces nine arranged targets; one target is a brimming treasure-jar (kumbha). After shooting, the archer approaches to incise/mark the hit-point with the arrow-tip, while a trainer observes posture.","kerala_mural_prompt":"Kerala mural, stylized archery ground with nine circular targets and a decorated kumbha target, archer in firm stance, bold outlines, minimal depth, dynamic yet ritualized composition","tanjore_prompt":"Tanjore painting, heroic archer with ornate bow, gold-highlighted kumbha target filled to brim, targets arranged symmetrically, rich decorative borders, emphasis on auspicious vessel motif","mysore_prompt":"Mysore painting, instructional scene: archer demonstrating correct āsana, sequential targets numbered, close-up of arrow-tip marking the target, soft shading and clear didactic layout","mughal_miniature_prompt":"Mughal miniature, detailed training courtyard with instructor and archer, nine targets in perspective, a painted treasure-jar target, fine depiction of arrow impact and marking action, delicate landscape backdrop"}

Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":null,"pace":"fast","voice_tone":"instructional"}

Sandhi Resolution Notes: navānāntu = navānām tu; pūrṇastathottaraḥ = pūrṇaḥ tathā uttaraḥ; tāḍyollikhyaśarāṇunā = tāḍya ullikhya śara-aṇunā.

Related Themes: Agni Purana Dhanurveda sections (archery practice and posture instructions)

D
Dhanurveda
N
nidhi-kumbha (treasure-jar target)

FAQs

It teaches a Dhanurveda training sequence: arranging targets in a fixed order, taking the correct shooting posture (āsana), and executing a precise strike with the arrow-tip to mark/score the target.

Beyond theology, the Agni Purana preserves practical martial pedagogy—how to structure archery drills, define target-forms (like the nidhi-kumbha), and standardize technique—showing its wide coverage of applied sciences.

In the Purāṇic frame, disciplined weapon-training supports dharma-protection: mastery through order, posture, and precision is portrayed as a righteous skill when used to uphold social and moral duty.