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Agni Purana — Vastu-Pratishtha & Isana-kalpa, Shloka 32

Agnisthāpana-vidhi (Procedure for Establishing the Sacred Fire) and Protective Īśāna-kalpa Homa Sequences

भावयन्निजमात्मानं नाभौ धृत्वाप्लवेत्ततः प्रादेशमात्रदर्भाभ्यामङ्गुष्टानामिकाग्रकैः

bhāvayannijamātmānaṃ nābhau dhṛtvāplavettataḥ prādeśamātradarbhābhyāmaṅguṣṭānāmikāgrakaiḥ

En méditant sur son propre Soi, en fixant l’attention au nombril, on doit ensuite accomplir la pratique du ‘plavana’ (exercice de « flottement »), au moyen de deux brins de darbha de la longueur d’un empan, tenus par leurs pointes entre le pouce et la pointe de l’annulaire.

भावयन्contemplating / visualizing
भावयन्:
कर्ता (Agent/कर्ता)
TypeVerb
Rootभावय् (भू-णिच्) (धातु)
Formवर्तमानकालिक कृदन्त (शतृ/Present active participle), पुंलिङ्ग, प्रथमा-विभक्ति, एकवचन
निजम्one’s own
निजम्:
कर्म (Object/कर्म)
TypeAdjective
Rootनिज (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया-विभक्ति (Accusative/द्वितीया), एकवचन; विशेषण (आत्मानम्)
आत्मानम्self
आत्मानम्:
कर्म (Object/कर्म)
TypeNoun
Rootआत्मन् (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया-विभक्ति (Accusative/द्वितीया), एकवचन
नाभौin the navel
नाभौ:
अधिकरण (Locative/अधिकरण)
TypeNoun
Rootनाभि (प्रातिपदिक)
Formस्त्रीलिङ्ग, सप्तमी-विभक्ति (Locative/सप्तमी), एकवचन
धृत्वाhaving placed/held
धृत्वा:
पूर्वक्रिया (Absolutive relation)
TypeVerb
Root√धृ (धातु)
Formक्त्वान्त (Gerund/Absolutive)
अप्लवेत्should immerse/dip (perform aplava)
अप्लवेत्:
विधेय क्रिया (Predicate verb)
TypeVerb
Rootअप्लु (a-√प्लु) (धातु)
Formविधिलिङ् (Optative/विधिलिङ्), प्रथमपुरुष (3rd person), एकवचन; आत्मनेपद (प्रयोगानुसार)
ततःthen/thereafter
ततः:
क्रियाविशेषण (Adverbial)
TypeIndeclinable
Rootततः (अव्यय)
Formअव्यय (क्रियाविशेषण/Adverb: thereafter/from that)
प्रादेश-मात्र-दर्भाभ्याम्with two darbhas of hand-span length
प्रादेश-मात्र-दर्भाभ्याम्:
करण (Instrument/करण)
TypeNoun
Rootप्रादेश (प्रातिपदिक) + मात्र (प्रातिपदिक) + दर्भ (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया-विभक्ति (Instrumental/तृतीया), द्विवचन; तत्पुरुष-समास (प्रादेशमात्रौ दर्भौ)
अङ्गुष्ठ-नामिका-अग्रकैःwith the tips of the thumb and ring-finger
अङ्गुष्ठ-नामिका-अग्रकैः:
करण (Instrument/करण)
TypeNoun
Rootअङ्गुष्ठ (प्रातिपदिक) + नामिका (प्रातिपदिक) + अग्रक (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया-विभक्ति (Instrumental/तृतीया), बहुवचन; तत्पुरुष-समास (अङ्गुष्ठस्य नामिकायाश्च अग्रकाः)

Lord Agni (teaching the sage Vasiṣṭha)

Vidya Category: {"primary_vidya":"Yoga and Dhāraṇā","secondary_vidya":"Tantra","practical_application":"A dhāraṇā sequence: self-contemplation, navel fixation (nābhi-kendra), then plavana practice using two span-length darbhas held between thumb and ring-finger tip—used for steadiness of prāṇa, ritual readiness, and subtle-body alignment before mantra/astric acts.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Nābhi-dhāraṇā with Darbha-plavana grip","lookup_keywords":["nābhi-dhāraṇā","plavana","darbha","aṅguṣṭha","anāmikā"],"quick_summary":"Fix attention at the navel and perform plavana using two span-length darbhas held in a specific mudrā-like grip; this stabilizes breath-mind coordination and prepares the practitioner for subsequent protective rites."}

Concept: Ātma-bhāvanā with kendra-dhāraṇā: the self is approached through disciplined attention at a bodily center, using external ritual aids (darbha) as supports for inner steadiness.

Application: Use a consistent hand-grip and a single attentional locus (nābhi) to reduce mental scatter before mantra recitation or homa sequences.

Khanda Section: Yoga and Dhāraṇā (Prāṇāyāma–Dhyāna–Mudrā practices)

Primary Rasa: shanta

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"A seated practitioner focusing at the navel, holding two long darbha blades between thumb and ring-finger tips, posture steady, breath subtle; minimal ritual setting.","kerala_mural_prompt":"Kerala mural, yogic seated figure with clear hand gesture holding two darbhas, navel center subtly highlighted with a lotus motif, calm background","tanjore_prompt":"Tanjore painting, serene yogi with gold accents on darbha tips and navel-lotus, rich textile details, minimal altar elements","mysore_prompt":"Mysore style, instructional depiction of finger placement (thumb to ring-finger tip) gripping two span-length darbhas, with navel focus indicated by a small chakra/lotus diagram","mughal_miniature_prompt":"Mughal miniature, quiet interior with yogi seated on carpet, fine botanical rendering of darbha blades, subtle glow at navel"}

Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Ahir Bhairav","pace":"slow","voice_tone":"contemplative"}

Sandhi Resolution Notes: भावयन्निजमात्मानम् = भावयन् + निजम् + आत्मानम्; धृत्वाप्लवेत् = धृत्वा + अप्लवेत्; दर्भाभ्यामङ्गुष्ठ... = दर्भाभ्याम् + अङ्गुष्ठ...; नामिकाग्रकैः = नामिका + अग्रकैः

Related Themes: Agni Purana 75 (prāṇāyāma–dhyāna–mudrā sequence around plavana/aplava)

A
Agni
Ā
Ātman
D
Darbha (Kuśa grass)
N
Nābhi (navel center)

FAQs

It teaches a specific dhāraṇā-based yogic procedure: concentrate on the navel-center while performing a ‘plavana’ practice, using darbha grass of prescribed length held with a defined finger-grip (thumb and ring-finger tip).

Alongside theology, the Agni Purana preserves practical manuals—here, a precise yogic/ritual micro-technique specifying bodily locus (nābhi), mental operation (bhāvana of Ātman), and material/hand-method (darbha and finger placement), typical of its wide-ranging instructional content.

By combining self-contemplation with disciplined bodily focus and ritual purity-symbols (darbha), the practice is framed as a means of inner purification and steadiness of mind, supporting spiritual attainment through controlled attention (dhāraṇā).