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Agni Purana — Vastu-Pratishtha & Isana-kalpa, Shloka 5

Chapter 53 — Liṅga-lakṣaṇa

Characteristics and Proportions of the Śiva-liṅga and Piṇḍikā

चतुःषष्ट्यस्रकं कृत्वा वर्तुलं साधयेत्ततः कर्तयेदथ लिङ्गस्य शिरो वै देशिकोत्तमः

catuḥṣaṣṭyasrakaṃ kṛtvā vartulaṃ sādhayettataḥ kartayedatha liṅgasya śiro vai deśikottamaḥ

L’ayant d’abord façonné avec soixante-quatre facettes (ou côtés), on doit ensuite l’affiner en une forme circulaire ; puis l’excellent ācārya officiant doit former la « tête » (partie supérieure) du liṅga.

catuḥṣaṣṭi-asrakama sixty-four-sided (figure)
catuḥṣaṣṭi-asrakam:
Karma (कर्म)
TypeNoun
Rootcatuḥṣaṣṭi (प्रातिपदिक) + asraka (प्रातिपदिक)
FormNeuter (नपुंसकलिङ्ग), Accusative (2nd/द्वितीया), Singular (एकवचन); षष्ठी-तत्पुरुषः (catuḥṣaṣṭyāḥ asrakam)
kṛtvāhaving made
kṛtvā:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeVerb
Rootkṛ (धातु)
FormAbsolutive/Gerund (क्त्वान्त/ल्यबन्त अव्ययकृदन्त), ‘having made/done’
vartulama circle/round form
vartulam:
Karma (कर्म)
TypeNoun
Rootvartula (प्रातिपदिक)
FormNeuter (नपुंसकलिङ्ग), Accusative (2nd/द्वितीया), Singular (एकवचन)
sādhayetshould construct/complete
sādhayet:
Kriyā (क्रिया)
TypeVerb
Rootsādh (धातु)
FormOptative (विधिलिङ्), 3rd Person (प्रथमपुरुष), Singular (एकवचन), Parasmaipada (परस्मैपद)
tataḥthen/thereafter
tataḥ:
Kāla/Anantara (काल/अनन्तर)
TypeIndeclinable
Roottatas (प्रातिपदिक)
FormAvyaya (अव्यय), adverb (क्रियाविशेषण)
kartayetshould cut/shape
kartayet:
Kriyā (क्रिया)
TypeVerb
Rootkṛt (धातु: √kṛt/कृत् ‘to cut’)
FormOptative (विधिलिङ्), 3rd Person (प्रथमपुरुष), Singular (एकवचन), Parasmaipada (परस्मैपद); causative sense ‘make cut/shape’ (णिचर्थ)
athathen/next
atha:
Sambandha (सम्बन्ध/अनुक्रम)
TypeIndeclinable
Rootatha (अव्यय)
FormAvyaya (अव्यय), discourse particle (अनन्तरार्थक/प्रस्तावक)
liṅgasyaof the liṅga
liṅgasya:
Ṣaṣṭhī-sambandha (षष्ठीसम्बन्ध)
TypeNoun
Rootliṅga (प्रातिपदिक)
FormNeuter (नपुंसकलिङ्ग), Genitive (6th/षष्ठी), Singular (एकवचन)
śiraḥthe head/top
śiraḥ:
Karma (कर्म)
TypeNoun
Rootśiras (प्रातिपदिक)
FormNeuter (नपुंसकलिङ्ग), Accusative (2nd/द्वितीया), Singular (एकवचन)
vaiindeed
vai:
Prayojaka-nipāta (निपात/बल)
TypeIndeclinable
Rootvai (अव्यय)
FormAvyaya (अव्यय), emphatic particle (निश्चयार्थक)
deśika-uttamaḥthe best teacher
deśika-uttamaḥ:
Karta (कर्ता)
TypeNoun
Rootdeśika (प्रातिपदिक) + uttama (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Nominative (1st/प्रथमा), Singular (एकवचन); कर्मधारयः ‘uttamaḥ deśikaḥ’

Lord Agni (in discourse to sage Vasiṣṭha, Agni Purāṇa narrative frame)

Vidya Category: {"primary_vidya":"Vastu","secondary_vidya":"Shilpa","practical_application":"Technical guideline for shaping a Shiva-liṅga: roughing a multi-faceted blank and finishing it into a circular section, then forming the upper head (śiras) under an ācārya’s supervision.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Liṅga-nirmāṇa: catuḥṣaṣṭy-asra roughing and circular finishing","lookup_keywords":["catuḥṣaṣṭy-asra","liṅga-nirmāṇa","vṛttākāra","śiras","deśika"],"quick_summary":"Begin with a 64-faceted form to control symmetry, then turn/finish it into a circle; finally shape the liṅga’s upper head precisely as per ritual-architectural standards."}

Concept: Sacred form is produced through measured craft (māna) and disciplined procedure, not improvisation.

Application: Use stepwise geometric refinement (facets → circle) to ensure symmetry and ritual acceptability of the emblem.

Khanda Section: Vastu-vidya & Linga-pratishtha (Temple Architecture and Icon/Emblem Installation)

Primary Rasa: adbhuta

Secondary Rasa: shanta

Visual Art Cues: {"scene_description":"A temple sculptor-ācārya in a workshop shapes a stone liṅga: first a 64-faceted blank, then smoothing it into a perfect cylinder and beginning the upper śiras.","kerala_mural_prompt":"Kerala temple mural style, warm earthy palette, sacred workshop scene with an ācārya guiding artisans shaping a 64-faceted stone into a circular liṅga, ritual tools, calm sanctified atmosphere","tanjore_prompt":"Tanjore painting, gold-leaf accents on ritual implements, Śaiva workshop with the ācārya (deśika) shaping the liṅga’s śiras, ornate borders, luminous sanctity","mysore_prompt":"Mysore painting style, clear instructional composition showing step-by-step: 64 facets → circular finish → beginning of śiras, fine linework, labeled measuring cords","mughal_miniature_prompt":"Mughal miniature, detailed atelier scene with craftsmen turning a faceted stone into a circular liṅga, the master supervising, precise tools, architectural backdrop"}

Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":"Bhairav","pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes: catuḥṣaṣṭyasrakam → catuḥṣaṣṭi-asrakam; kartayedatha → kartayet atha; deśikottamaḥ → deśika-uttamaḥ

Related Themes: Agni Purana 53.6-53.9 (liṅga proportions, śiras shape, divisions)

Ś
Śiva-liṅga
D
Deśika (Ācārya)

FAQs

It gives a technical shaping sequence for a Śiva-liṅga: begin with a sixty-four-faceted form, finish it into a smooth circular profile, and then carve the upper ‘head’ portion under the supervision of a qualified ācārya.

Beyond mythology, the Agni Purāṇa preserves practical craft-and-ritual manuals—here, a precise iconographic/architectural instruction (Vāstu and pratiṣṭhā) that functions like a technical handbook for temple construction and installation rites.

Correct proportioning and ritually guided workmanship are treated as essential for a valid, auspicious installation; shaping the liṅga according to prescribed method supports purity of worship and the intended religious merit (puṇya) of consecration.