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Agni Purana — Vastu-Pratishtha & Isana-kalpa, Shloka 12

Vāsudevādi-pratimā-lakṣaṇa-vidhiḥ

Iconographic and Iconometric Procedure for Vāsudeva and the Vyūha Forms

ललाटं नासिकावक्त्रं कर्तव्यञ्चतुरङ्गुलं ग्रीवाकर्णौ तु कर्तव्यौ आयामाच्चतुरङ्गुलौ

lalāṭaṃ nāsikāvaktraṃ kartavyañcaturaṅgulaṃ grīvākarṇau tu kartavyau āyāmāccaturaṅgulau

Le front, le nez et le visage doivent être façonnés, chacun, à la mesure de quatre aṅgulas; et le cou ainsi que les oreilles doivent pareillement avoir quatre aṅgulas de longueur.

ललाटम्forehead
ललाटम्:
Karma (कर्म)
TypeNoun
Rootललाट (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन (contextually: topic/measure-object)
नासिका-वक्त्रम्nose and face/mouth
नासिका-वक्त्रम्:
Karma (कर्म)
TypeNoun
Rootनासिका (प्रातिपदिक) + वक्त्र (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; समासः इतरेतर-द्वन्द्वः (नासिका च वक्त्रं च)
कर्तव्यम्should be made
कर्तव्यम्:
Vidhi (विधेय/आदेश)
TypeVerb
Rootकृ (धातु)
Formकृत्य-प्रत्यय (तव्यत्) — ‘to be done/made’; नपुंसकलिङ्ग, प्रथमा, एकवचन (predicative)
चतुर्-अङ्गुलम्four-finger(-breadths)
चतुर्-अङ्गुलम्:
Visheshana (विशेषण)
TypeAdjective
Rootचतुर् (संख्या-प्रातिपदिक) + अङ्गुल (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; समासः द्विगुः (चत्वारः अङ्गुलाः प्रमाणम्)
ग्रीवा-कर्णौneck and the two ears
ग्रीवा-कर्णौ:
Karma (कर्म)
TypeNoun
Rootग्रीवा (प्रातिपदिक) + कर्ण (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, द्विवचन; समासः इतरेतर-द्वन्द्वः (ग्रीवा च कर्णौ च)
तुand/but
तु:
Avyaya (अव्यय)
TypeIndeclinable
Rootतु (अव्यय)
Formअन्वय/विरोधार्थक-अव्यय
कर्तव्यौshould be made
कर्तव्यौ:
Vidhi (विधेय/आदेश)
TypeVerb
Rootकृ (धातु)
Formकृत्य-प्रत्यय (तव्यत्) — ‘to be made’; पुंलिङ्ग, प्रथमा, द्विवचन (agreeing with ग्रीवा-कर्णौ)
आयामात्in length/from the length
आयामात्:
Apadana (अपादान)
TypeNoun
Rootआयाम (प्रातिपदिक)
Formपुंलिङ्ग, पञ्चमी (अपादान/Ablative), एकवचन; ‘in length/by length-measure’
चतुर्-अङ्गुलौ(each) four-finger(-breadths)
चतुर्-अङ्गुलौ:
Visheshana (विशेषण)
TypeAdjective
Rootचतुर् (संख्या-प्रातिपदिक) + अङ्गुल (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, द्विवचन; समासः द्विगुः — ‘four-finger(-breadths)’ (agreeing with कर्तव्यौ)

Lord Agni (in discourse to the sage Vasiṣṭha, as per the Agni Purāṇa’s standard narration frame)

Vidya Category: {"primary_vidya":"Shilpa","secondary_vidya":"Vastu","practical_application":"Pratimā/portrait sculpting and painting: set facial proportions using aṅgula units for forehead, nose, face, neck, and ears.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Definition","entry_title":"Mukha-pramāṇa: catur-aṅgula measures for facial parts","lookup_keywords":["pratimā-lakṣaṇa","aṅgula-pramāṇa","lalāṭa","nāsikā","grīvā-karṇa"],"quick_summary":"Standardize the image’s face by assigning four-aṅgula measures to forehead, nose, face/visage, and likewise four-aṅgula length to neck and ears for harmonious proportion."}

Concept: Rūpa-sādhutā (aesthetic rightness) arises from pramāṇa (correct measure).

Application: Use aṅgula-based grids/cords to keep facial features proportionate in carving, casting, or painting.

Khanda Section: Shilpa-shastra / Pratima-lakshana (Iconography and measurements)

Primary Rasa: adbhuta

Secondary Rasa: shanta

Visual Art Cues: {"scene_description":"A sculptor marks a deity-image face with a measuring cord and aṅgula ticks, indicating four-aṅgula segments for forehead, nose, face, neck, and ears.","kerala_mural_prompt":"Kerala mural: artisan in traditional attire measuring a divine face outline on a wooden panel, clear aṅgula marks, warm ochres and greens, temple-workshop ambience with lamps and tools.","tanjore_prompt":"Tanjore: partially finished deity mukha with gold halo, artisan holding measuring strip, highlighted facial segments labeled by placement, ornate jewelry sketched, gold work accenting the sacred context.","mysore_prompt":"Mysore: instructional composition with neat proportional lines across forehead, nose, face, neck, ears; soft colors, fine brushwork, emphasis on measurement clarity.","mughal_miniature_prompt":"Mughal miniature: atelier scene with master craftsman and apprentices, a face diagram with measured segments, delicate tools, paper and pigments, architectural studio backdrop."}

Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":"Shankarabharanam","pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes: कर्तव्यञ्चतुरङ्गुलं = कर्तव्यम् + चतुरङ्गुलम् (m + c → ñc); आयामाच्चतुरङ्गुलौ = आयामात् + चतुरङ्गुलौ (t + c → cc).

Related Themes: Agni Purana 44.13-44.15 (continued mukha-aṅga pramāṇa)

A
Agni Purana
S
Shilpa-shastra
P
Pratima-lakshana
A
Angula (unit of measure)

FAQs

It teaches iconometric (pramāṇa) rules for sculpting/depicting a divine image: specific facial and neck–ear dimensions are prescribed in aṅgulas to ensure canonical proportions.

Beyond theology, the Agni Purāṇa codifies applied arts—temple design and image-making—by giving measurable standards (aṅgula-based proportions), showing its coverage of śilpa-śāstra alongside ritual and doctrine.

Correct proportions are treated as dhārmic precision in sacred art: a properly made icon supports valid worship (pūjā) and is believed to yield purifying merit through adherence to śāstric injunctions.