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Agni Purana — Vastu-Pratishtha & Isana-kalpa, Shloka 9

Chapter 101 — प्रासादप्रतिष्ठा (Prāsāda-pratiṣṭhā): Consecration and Installation of the Temple

स्वकार्यकारणत्वेन मायाकाशनियामिकाः विद्येशान् प्रेरकान् शम्भुं व्यापिनञ्च सुसम्वरैः

svakāryakāraṇatvena māyākāśaniyāmikāḥ vidyeśān prerakān śambhuṃ vyāpinañca susamvaraiḥ

En tant que régulateurs de la sphère māyique (māyā et l’« éther » subtil), étant la base causale de leurs propres effets, ils incitent les Vidyeśvara ; et ils incitent aussi Śambhu—l’Omnipénétrant—au moyen de saṃvara (restrictions disciplinées) soigneusement maîtrisées.

sva-kārya-kāraṇatvenaby being the cause of its own effect
sva-kārya-kāraṇatvena:
Hetu/Karaṇa (हेतु/करण)
TypeIndeclinable
Rootsva (प्रातिपदिक) + kārya (प्रातिपदिक) + kāraṇatva (प्रातिपदिक)
Formतृतीया-एकवचनान्त अव्ययीभाववत् प्रयोगः; -त्वेन (Instrumental singular of abstract noun) used adverbially; ‘by/through the state of being the cause of one’s own effect’
māyā-ākāśa-niyāmikāḥthe regulators of māyā and ākāśa
māyā-ākāśa-niyāmikāḥ:
Karta (कर्ता)
TypeNoun
Rootmāyā (प्रातिपदिक) + ākāśa (प्रातिपदिक) + niyāmikā (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st), बहुवचन; ‘controllers/regulators of māyā and ākāśa’
vidyeśānthe Vidyeśas
vidyeśān:
Karma (कर्म)
TypeNoun
Rootvidyeśa (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd), बहुवचन
prerakānimpelling / instigating
prerakān:
Karma (कर्म)
TypeAdjective
Rootpreraka (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd), बहुवचन; विशेषणम् (qualifying vidyeśān)
śambhumŚambhu (Śiva)
śambhum:
Karma (कर्म)
TypeNoun
Rootśambhu (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd), एकवचन
vyāpinamall-pervading
vyāpinam:
Karma (कर्म)
TypeAdjective
Rootvyāpin (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd), एकवचन; विशेषणम् (qualifying śambhum)
caand
ca:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Rootca (अव्यय)
Formसमुच्चयार्थक अव्यय (conjunction)
su-samvaraiḥwith good restraints / well-contained (means)
su-samvaraiḥ:
Karaṇa (करण)
TypeNoun
Rootsu (उपसर्ग/अव्यय) + samvara (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया (3rd), बहुवचन; ‘good restraints/closures’

Lord Agni (in dialogue narration to Sage Vasiṣṭha, typical Agni Purāṇa frame)

Vidya Category: {"primary_vidya":"Tantra","secondary_vidya":"Philosophy","practical_application":"Tattva-viveka for Shaiva sadhana: understanding how Māyā and its regulators condition experience, and how disciplined restraint (saṃvara) supports ascent beyond māyika governance.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Definition","entry_title":"Māyākāśa-niyāmikāḥ and the Impulsion of Vidyeśvaras","lookup_keywords":["māyā","māyākāśa","niyāmaka","vidyeśvara","śambhu vyāpin"],"quick_summary":"Defines cosmic regulators of the māyic sphere as causal bases that impel Vidyeśvaras and even the all-pervading Śambhu in the economy of manifestation; emphasizes disciplined restraints (saṃvara) as the operative condition."}

Concept: Causal-regulatory hierarchy within Māyā: niyāmaka principles impel vidyā-lords; Śiva’s vyāpti is affirmed while still functioning as the cosmic governor in manifestation.

Application: Use as contemplative map (tattva-nirūpaṇa) to detach from māyika identifications and stabilize saṃvara (ethical/psychic restraint) as prerequisite for higher realization.

Khanda Section: Shaiva–Tantra / Tattva-nirupana (Vidyeshvara, Maya, and cosmic governance)

Primary Rasa: adbhuta

Secondary Rasa: shanta

Visual Art Cues: {"scene_description":"An abstract cosmic tableau: subtle ether (ākāśa) and Māyā as a veiling sphere, with luminous Vidyeśvaras being ‘impelled’ toward governance, and Śambhu depicted as an all-pervading presence surrounding all layers; visual motif of disciplined restraints as a sealed circle or band around the māyic realm.","kerala_mural_prompt":"Kerala mural style, layered cosmology with Māyā as a dark-blue translucent orb, Vidyeśvaras as radiant crowned figures within, Śambhu as a vast aureole pervading the frame, traditional flat colors, ornate borders, sacred geometry bands symbolizing saṃvara.","tanjore_prompt":"Tanjore painting, central Śambhu as all-pervading golden halo with embossed gold work, smaller Vidyeśvaras in compartments, Māyā shown as a jeweled veil, rich reds and greens, temple-like framing.","mysore_prompt":"Mysore painting, instructional cosmogram: concentric circles labeled Māyā/ākāśa/niyāmaka/vidyeśvara, subtle shading, fine linework, Śambhu indicated as encompassing field, minimal narrative figures.","mughal_miniature_prompt":"Mughal miniature, allegorical court scene where cosmic regulators present decrees to Vidyeśvaras, with a vast translucent figure of Śambhu spanning the background sky, delicate detailing, pastel palette, calligraphic labels."}

Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Bhairav","pace":"slow","voice_tone":"contemplative"}

Sandhi Resolution Notes: vyāpinañca = vyāpinam + ca (anusvāra before c). svakāryakāraṇatvena treated as compound with -त्वेन instrumental used adverbially.

Related Themes: Agni Purana 101 (Shaiva–Tantra: tattva-nirupana context)

M
Māyā
Ā
Ākāśa
V
Vidyeśvara
Ś
Śambhu (Śiva)

FAQs

It presents a Shaiva-tantric cosmology point: certain governing principles ‘regulate’ the māyic domain (māyā/ākāśa) and thereby activate the Vidyeśvaras and Śambhu’s functions, linking metaphysical hierarchy with disciplined restraint (saṃvara).

Beyond ritual and dharma, the Agni Purāṇa also compiles technical metaphysics—here, a condensed Shaiva-tattva model explaining how māyā, subtle elements, and presiding deities (Vidyeśvaras) operate under higher governance.

By emphasizing ‘saṃvara’ (well-contained restraint), the verse points to inner discipline as the practical means to align oneself with the higher order governing māyā—supporting purification and steadiness on a Śiva-oriented path.