Ritual Procedure for Worship of Rāma and Lakṣmaṇa in the Month of Jyeṣṭha
Pūrva Bhāga · Pr̥thivī-uddhāra and Viṣṇu’s cosmic iconography (aṅga-nyāsa style mapping)
उरः संवत्सरायेति कण्ठं संवर्त्तकाय च । सर्वास्त्रधारिणे बाहू स्वनाम्ना अब्जरथाङ्गकौ ॥ ४५.३ ॥
uraḥ saṃvatsarāyeti kaṇṭhaṃ saṃvarttakāya ca | sarvāstradhāriṇe bāhū svanāmnā ’bjarathāṅgakau || 45.3 ||
uraH saMvatsarAyeti kaNThaM saMvarttakAya cha | sarvAstradhAriNe bAhU svanAmnA.abjarathA~Ngakau || 45.3 ||
“(Él asigna) el pecho a Saṃvatsara y la garganta a Saṃvarttaka; y los dos brazos—portadores de todas las armas—son llamados por sus propios nombres: ‘Abjaratha’ y ‘Aṅgaka’.”
Varāha
Absorbed; integrating cosmology with iconography
How are time-powers and divine weapon-bearing aspects to be installed/recognized in the deity’s limbs during worship?
Kāla (time) and saṃhāra (reabsorption) are divine modalities; devotion matures when it recognizes these within the Lord’s form.
While worshipping, contemplate the year-cycle in the chest (life-sustaining order) and dissolution-force in the throat (transformative power), seeking steadiness and fearlessness.
The Lord’s body is a time-cosmos: chest as Saṃvatsara (year-cycle sustaining life), throat as Saṃvarttaka (dissolution/fire principle), arms as universal protection through all astras.
Body-as-yajña mapping by function: time (saṃvatsara) as sustaining rhythm, saṃvarttaka as transformative/dissolving force, arms as kṣatra/protection enabling dharma.
Non-dual support: time and dissolution are not outside the Lord; they are powers (śakti) within saguna manifestation, aiding contemplation of īśvara as both sustainer and reabsorber.
Continue aṅga-pūjā/nyāsa: assign the chest to Saṃvatsara, the throat to Saṃvarttaka, and worship the two arms (bearers of all weapons) with the names Abjaratha and Aṅgaka.
Aligning worship with cosmic/time deities and the Lord’s protective arms is held to confer completeness and protection; disorder/omission reduces ritual fullness.
Varāha Purāṇa 45.45.1-2: preceding limb-worship instructions; 45.45.3 continues upward mapping
It reflects a Purāṇic literary method of correlating bodily features with cosmic principles (e.g., time-cycles and dissolution), a technique used for systematizing cosmology and iconography in classical Sanskrit traditions.
No geographic location is named in this verse; the content is primarily cosmological and iconographic rather than topographical.
The verse is descriptive rather than prescriptive; its philosophical emphasis is on perceiving ordered correspondences between the cosmos (time/dissolution) and embodied form, supporting a worldview of structured interrelation.
Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.
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