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Varaha Purana 45.3: Adhyaya 45, Shloka 3

Ritual Procedure for Worship of Rāma and Lakṣmaṇa in the Month of Jyeṣṭha

Pūrva Bhāga · Pr̥thivī-uddhāra and Viṣṇu’s cosmic iconography (aṅga-nyāsa style mapping)

उरः संवत्सरायेति कण्ठं संवर्त्तकाय च । सर्वास्त्रधारिणे बाहू स्वनाम्ना अब्जरथाङ्गकौ ॥ ४५.३ ॥

Recitation with translationVaraha Purana 45.3

uraḥ saṃvatsarāyeti kaṇṭhaṃ saṃvarttakāya ca | sarvāstradhāriṇe bāhū svanāmnā ’bjarathāṅgakau || 45.3 ||

“(Él asigna) el pecho a Saṃvatsara y la garganta a Saṃvarttaka; y los dos brazos—portadores de todas las armas—son llamados por sus propios nombres: ‘Abjaratha’ y ‘Aṅgaka’.”

उरःchest
उरः
TypeNoun
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया (1st/2nd case), एकवचन; indeclinable-like form in -as (uras)
RoleKarma (कर्म)
Rootउरस् (प्रातिपदिक)
संवत्सरायto Saṃvatsara (the year-deity)
संवत्सराय
TypeNoun
Formपुंलिङ्ग, चतुर्थी (4th/Dative), एकवचन
RoleSampradana (सम्प्रदान)
Rootसंवत्सर (प्रातिपदिक)
इतिthus
इति
TypeIndeclinable
Formअव्यय; quotation marker/particle (इति)
RoleSambandha (सम्बन्ध/उद्धरणसूचक)
Rootइति (अव्यय)
कण्ठम्neck/throat
कण्ठम्
TypeNoun
Formपुंलिङ्ग, द्वितीया (2nd/Accusative), एकवचन
RoleKarma (कर्म)
Rootकण्ठ (प्रातिपदिक)
संवर्तकायto Saṃvartaka
संवर्तकाय
TypeNoun
Formपुंलिङ्ग, चतुर्थी (4th/Dative), एकवचन
RoleSampradana (सम्प्रदान)
Rootसंवर्तक (प्रातिपदिक)
चand
च
TypeIndeclinable
Formअव्यय; समुच्चय (conjunction)
RoleSambandha (सम्बन्ध)
Rootच (अव्यय)
सर्वास्त्रधारिणेto the bearer of all weapons
सर्वास्त्रधारिणे
TypeNoun
Formपुंलिङ्ग, चतुर्थी (4th/Dative), एकवचन; षष्ठी-तत्पुरुष/उपपद-तत्पुरुष sense: ‘bearing all weapons’
RoleSampradana (सम्प्रदान)
Rootसर्व + अस्त्र + धारिन् (प्रातिपदिक); धारिन् from √धृ (धातु)
बाहूthe two arms
बाहू
TypeNoun
Formपुंलिङ्ग, द्वितीया (2nd/Accusative), द्विवचन
RoleKarma (कर्म)
Rootबाहु (प्रातिपदिक)
स्वनाम्नाby their own name
स्वनाम्ना
TypeNoun
Formनपुंसकलिङ्ग, तृतीया (3rd/Instrumental), एकवचन; ‘by/with one’s own name’
RoleKarana (करण)
Rootस्व + नामन् (प्रातिपदिक)
अब्जरथाङ्गकौthe two (called) Abjarathāṅgaka
अब्जरथाङ्गकौ
TypeNoun
Formपुंलिङ्ग, प्रथमा/द्वितीया (1st/2nd), द्विवचन; बहुपद-तत्पुरुष: ‘having lotus and chariot-limbs/marks’ (name/epithet)
RoleKarma (कर्म)
Rootअब्ज + रथ + अङ्ग (प्रातिपदिक)
  • संवत्सरायेति = संवत्सराय + इति
  • स्वनāmnā ’bjarathāṅgakau = स्वनाम्ना + अब्जरथाङ्गकौ (’ = avagraha)

Shanta and Bhakti rasa
Speaker

Varāha

In this verse
Varaha teaches her
Her state of mind

Absorbed; integrating cosmology with iconography

What she asks

How are time-powers and divine weapon-bearing aspects to be installed/recognized in the deity’s limbs during worship?

Kind of teaching
Cosmological theism (īśvara as kāla)
Subjects
CosmologyIconographyTime CyclesTheology (descriptive, non-sectarian)
Core idea

Kāla (time) and saṃhāra (reabsorption) are divine modalities; devotion matures when it recognizes these within the Lord’s form.

In practice

While worshipping, contemplate the year-cycle in the chest (life-sustaining order) and dissolution-force in the throat (transformative power), seeking steadiness and fearlessness.

C
Classical Literature
P
Purāṇic Studies
S
Sanskrit Philology
V
Vaiṣṇava Narrative Traditions

FAQs

It reflects a Purāṇic literary method of correlating bodily features with cosmic principles (e.g., time-cycles and dissolution), a technique used for systematizing cosmology and iconography in classical Sanskrit traditions.

No geographic location is named in this verse; the content is primarily cosmological and iconographic rather than topographical.

The verse is descriptive rather than prescriptive; its philosophical emphasis is on perceiving ordered correspondences between the cosmos (time/dissolution) and embodied form, supporting a worldview of structured interrelation.

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