एवं कृत्वा तु कृप्णस्य यः करोति प्रदक्षिणाम् । पठन्नामसहस्रं तु स्तवमन्यं पठन्नृप । सप्तद्वीपवतीपुण्यं लभते तु पदेपदे
evaṃ kṛtvā tu kṛpṇasya yaḥ karoti pradakṣiṇām | paṭhannāmasahasraṃ tu stavamanyaṃ paṭhannṛpa | saptadvīpavatīpuṇyaṃ labhate tu padepade
Habiendo hecho así, oh rey, quien circunvala (pradakṣiṇā) a Kṛṣṇa recitando el Sahasranāma (los Mil Nombres) o entonando otros himnos, obtiene en cada paso un mérito igual al del mundo entero de los siete continentes.
Sūta (deduced: Māhātmya narration addressing a king)
Tirtha: Dvārakā (Kṛṣṇa-pradakṣiṇā)
Type: kshetra
Listener: Nṛpa (the King)
Scene: Devotees circle the temple of Kṛṣṇa in a clockwise flow, lips moving in recitation; each footstep is shown as a small lotus imprint radiating light, symbolizing saptadvīpa merit.
Devotional movement (pradakṣiṇā) combined with sacred recitation multiplies merit step by step.
Dvārakā, where circumambulation of Kṛṣṇa is praised as exceptionally meritorious.
Performing Kṛṣṇa pradakṣiṇā while reciting the Thousand Names (nāmasahasra) or other stotras.