मन्दाकिनीनदीदर्शनम्
The Vision of the Mandākinī at Citrakūṭa
इमांहि रम्यां मृगयूथशालिनीं निपीततोयां गजसिंहवानरैः।सुपुष्पितां पुष्पभरैरलङ्कृतां नसोऽस्ति य स्स्यान्न गतक्लम स्सुखी।।।।
imāṃ hi ramyāṃ mṛgayūthaśālinīṃ nipītatoyāṃ gajasiṃhavānaraiḥ | supuṣpitāṃ puṣpabharair alaṅkṛtāṃ na so 'sti yaḥ syān na gataklamaḥ sukhī ||
¡Qué encantadora es la Mandākinī! Llena de manadas de ciervos; sus aguas son bebidas por elefantes, leones y monos; y está engalanada con montones de flores caídas de árboles en plena floración. ¿Quién podría contemplarla sin alegrarse, disipado el cansancio?
Rama, the perpetuator of the Raghu dynasty, describing the river Mandakini at length appropriately in this manner, wandered in the company of his beloved consort on mount Chitrakuta looking black like collyrium.ityārṣē śrīmadrāmāyaṇē vālmīkīya ādikāvyē ayōdhyākāṇḍē pañcanavatitamassargaḥ৷৷Thus ends the ninetyfifth sarga in Ayodhyakanda of the holy Ramayana, the first epic composed by sage Valmiki.
Dharma here is mental poise: by appreciating what is pure and life-giving, one overcomes fatigue and grief without violating truth or duty.
Rāma praises the Mandākinī’s beauty and abundance, suggesting that such a place naturally restores the spirit of those living in exile.
Optimism rooted in discipline—Rāma’s ability to draw strength from the environment and guide Sītā toward the same.
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