Narmadā Pilgrimage Itinerary: Sequence of Tīrthas, Rites, and Fruits
कुमारीं लभते भर्त्ता यच्च यो वाञ्छते फलम् । तदेव लभते सर्वं नात्र कार्या विचारणा
kumārīṃ labhate bharttā yacca yo vāñchate phalam | tadeva labhate sarvaṃ nātra kāryā vicāraṇā
Un hombre obtiene una doncella por esposa, y cualquier fruto que alguien desee, eso mismo lo alcanza por completo; aquí no hay que dudar ni deliberar más.
Unspecified (contextual narrator/speaker in Svarga-khaṇḍa dialogue)
Concept: Iṣṭa-phala-siddhi: sincere observance yields the exact desired fruit; doubt is discouraged as it weakens resolve (saṅkalpa).
Application: Make clear, ethical intentions; practice steady discipline without cynicism; align desires with dharma to avoid self-harm and harm to others.
Primary Rasa: adbhuta
Secondary Rasa: shringara
Visual Art Cues: {"scene_description":"A devotee offers flowers and water before a radiant altar, while behind him a symbolic ‘tree of wishes’ unfurls: one branch shows a wedding garland joining two hands, another shows overflowing grain, another shows a lamp of knowledge. Above, a subtle Viṣṇu-like aura forms a protective canopy, visually declaring ‘no doubt’ through calm symmetry.","primary_figures":["devotee","symbolic bride and groom (hands/garlands)","a subtle Viṣṇu aura or śrī-cakra-like radiance"],"setting":"Temple courtyard with a sanctum doorway, offering trays, and a kalasha","lighting_mood":"divine radiance","color_palette":["royal blue","gold leaf","ivory white","vermillion red","leaf green"],"tanjore_prompt":"Tanjore painting style: central devotee before a richly ornamented altar; behind, a stylized kalpavṛkṣa with narrative vignettes—marriage garland, prosperity vessels, lamp of knowledge; thick gold leaf on halos, altar arch, and tree highlights; jewel-like reds and greens, embossed textures, traditional South Indian temple motifs.","pahari_prompt":"Pahari miniature style: elegant courtyard scene with delicate architecture; symbolic vignettes painted as small cloud-bubbles around the devotee (marriage, prosperity, learning); soft blues and greens, refined facial features, gentle shading, lyrical balance.","kerala_mural_prompt":"Kerala mural style: bold outlines; devotee in añjali, altar with stylized flames; kalpavṛkṣa behind with panel-like icons of boons; strong reds/yellows/greens, patterned borders, temple-wall composition.","pichwai_prompt":"Pichwai cloth painting style: central altar framed by ornate floral borders; kalpavṛkṣa filled with lotus motifs and small boon-scenes; deep blue ground with gold detailing, symmetrical textile aesthetics, peacocks at the corners."}
Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Bhupali","pace":"moderate-narrative","voice_tone":"reverent-soft","sound_elements":["temple bells","conch shell","soft drone (tanpura)","murmured prayers"]}
Sandhi Resolution Notes: यत्+च→यच्च; तत्+एव→तदेव; न+अत्र→नात्र
It states a phala-śruti style assurance: the desired outcome is obtained fully—without uncertainty—through the implied rite, vow, or sacred act being described in the surrounding context.
It emphasizes certainty of result and encourages faith in the efficacy of the prescribed practice, presenting the outcome as reliable rather than speculative.
Literally it says “the husband obtains a maiden (as wife).” In Purāṇic phala statements, such phrasing typically reflects conventional social ideals of the text’s milieu and is meant as a promised benefit, not as a standalone ethical instruction.