The Exposition of the Maheśa Mantra
Mahēśa-mantra-prakāśana
श्यामं रक्तोत्पलकरं वामांकन्यस्ततत्करम् । द्विनेत्रं रक्तवस्त्राढ्यं सेनापतिमथार्चयेत् ॥ ४७ ॥
śyāmaṃ raktotpalakaraṃ vāmāṃkanyastatatkaram | dvinetraṃ raktavastrāḍhyaṃ senāpatimathārcayet || 47 ||
Luego debe adorarse al Comandante (Senāpati), contemplándolo de tez oscura, con un loto rojo en la mano; con la mano izquierda apoyada en el muslo izquierdo; de dos ojos y ricamente ataviado con vestiduras rojas.
Narada (instructional narration within a ritual/vidhi sequence)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: vira
It teaches dhyāna-lakṣaṇa (meditative iconography) as part of worship: fixing the deity’s form—color, attributes, posture, and garments—so the mind becomes steady and the ritual becomes inwardly concentrated.
Bhakti here is expressed through upāsanā: the devotee lovingly contemplates specific divine features (lotus, red garments, composed posture) and then performs arcana, making devotion concrete through disciplined visualization and worship.
It reflects kalpa-oriented ritual method: a procedural instruction for arcana supported by dhyāna (visual specification), which is a practical component of performing rites correctly and consistently.