The Account of the Lalitā Hymn, the Protective Armor
Kavaca), and the Thousand Names (Sahasranāma
निषिद्धाचाररहिता सिद्धचिह्नस्वरूपिणी । चतुर्द्धा कूर्मभागस्था नित्याद्यर्चास्वरूपिणी ॥ ६९ ॥
niṣiddhācārarahitā siddhacihnasvarūpiṇī | caturddhā kūrmabhāgasthā nityādyarcāsvarūpiṇī || 69 ||
Ella está libre de toda conducta prohibida y se caracteriza por los signos de la perfección espiritual (siddhi). Morando en las cuatro divisiones de la porción de Kūrma, permanece como la forma misma del culto (arcā), comenzando por los ritos diarios (nitya) y las demás observancias prescritas.
Sanatkumara (teaching Narada in the Vedanga/arcana context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It defines authentic worship as purity of conduct (free from niṣiddha-ācāra) combined with perfected, recognizable devotional discipline, presenting worship itself as a living, embodied principle expressed through prescribed rites.
Bhakti here is disciplined and scripturally aligned: devotion becomes steady through nitya-arcā (daily worship) and related observances, while avoiding prohibited actions that disturb devotional purity.
It emphasizes ritual correctness and classification—daily (nitya) and other forms of worship—reflecting Vedanga-style technical organization of practice and the importance of rule-based conduct in arcana.