The Description of the Four Durgā Mantras
मातंग्याद्याः प्रविन्यस्येद्यथावद्देशिकोत्तमः । मातंगीं महदाद्यां तां महालक्ष्मीपदादिकाम् ॥ १२६ ॥
mātaṃgyādyāḥ pravinyasyedyathāvaddeśikottamaḥ | mātaṃgīṃ mahadādyāṃ tāṃ mahālakṣmīpadādikām || 126 ||
El mejor de los maestros debe realizar correctamente el nyāsa prescrito, comenzando por Mātaṅgī y las demás; y debe instalar debidamente a esa Mātaṅgī—comenzando desde el principio de Mahat—junto con los lugares asociados, como el asiento de Mahālakṣmī y otros.
Narada (instructional narration within the Vedanga/ritual-technical section, as taught in the Narada Purana dialogue tradition)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It emphasizes disciplined, rule-based ritual practice (yathāvat) under a qualified teacher (deśika), where inner spiritual principles (tattvas like Mahat) are integrated with deity worship through nyāsa.
Bhakti here is expressed as precise devotional service: the devotee approaches the Goddess through guided installation and remembrance, treating worship as a sanctified alignment of body, mantra, and cosmic principle.
Ritual procedure and mantra-application are foregrounded—especially nyāsa (mantra placement/installation) performed “according to rule,” reflecting technical competence akin to kalpa-style ritual discipline within the Purana’s Vedanga-oriented material.