Narada Purana — Purva Bhaga, Shloka 72
Pañca-prakṛti-nirūpaṇa and Mantra-vidhi: Rādhā, Mahālakṣmī, Durgā, Sarasvatī, Sāvitrī; plus Sāvitrī-Pañjara
तत्र स्थिता जगन्माता तपोनियममास्थिता । विविधान् स्वावतारान्हि त्रिकाले कुरुतेऽनिशम् ॥ ७२ ॥
tatra sthitā jaganmātā taponiyamamāsthitā | vividhān svāvatārānhi trikāle kurute'niśam || 72 ||
Allí permanece la Madre del universo, firme en la austeridad y la disciplina sagrada; sin cesar, en los tres tiempos, hace surgir sus múltiples manifestaciones (avatāras).
Sanatkumara (in dialogue with Narada)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: bhakti
FAQs
It presents the cosmic Mother as continuously active through disciplined tapas and niyama, indicating that divine manifestation is not random but governed by sacred order and rhythm (trikāla).
By portraying Jaganmātā as ever-present and ever-manifesting, it supports bhakti through steady remembrance tied to daily sacred times (sandhyā), encouraging regular worship rather than occasional inspiration.
The reference to trikāla aligns with sandhyā-based daily timing (linked with Jyotiṣa/time-reckoning and Kalpa-style discipline), emphasizing structured observance and regulated practice (niyama).