Pañca-prakṛti-nirūpaṇa and Mantra-vidhi: Rādhā, Mahālakṣmī, Durgā, Sarasvatī, Sāvitrī; plus Sāvitrī-Pañjara
इडापिंगलिकासूक्ष्मावायुनासापुटान्विताम् । संध्याद्विजोष्ठपुटितां लसद्वागुपजिह्विकाम् ॥ १३० ॥
iḍāpiṃgalikāsūkṣmāvāyunāsāpuṭānvitām | saṃdhyādvijoṣṭhapuṭitāṃ lasadvāgupajihvikām || 130 ||
Dotada del aliento sutil que se mueve por iḍā y piṅgalā y por las dos fosas nasales, la palabra se articula en los puntos de unión; toma forma por los labios y los dientes; y la lengua, junto con el fulgor de Vācā, obra en íntima concordia.
Sanatkumara (teaching Narada on Vedanga-Śikṣā)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It links correct Vedic speech (vāk) to prāṇa and the subtle nāḍīs (iḍā–piṅgalā), implying that disciplined breath and precise articulation preserve mantra power and support inner purity.
By emphasizing purified, well-formed speech, it indirectly supports bhakti practices like nāma-japa and stotra recitation, where clarity of sound and steady breath strengthen devotional concentration.
Śikṣā (phonetics): it points to the role of breath (vāyu), nasal passages, and articulators like lips and tongue in producing accurate sounds—key for correct mantra pronunciation and Vedic chanting.