Pañca-prakṛti-nirūpaṇa and Mantra-vidhi: Rādhā, Mahālakṣmī, Durgā, Sarasvatī, Sāvitrī; plus Sāvitrī-Pañjara
यां समाराध्य ससृजे ब्रह्मा लोकांश्चराचरान् । लक्ष्मी माया कामपूर्वा सावित्री ङेसमन्विता ॥ ११० ॥
yāṃ samārādhya sasṛje brahmā lokāṃścarācarān | lakṣmī māyā kāmapūrvā sāvitrī ṅesamanvitā || 110 ||
Habiéndola adorado debidamente, Brahmā creó los mundos, los móviles y los inmóviles. Ella es conocida como Lakṣmī, Māyā, el poder que precede al deseo, y Sāvitrī, dotada de la sílaba sagrada de invocación.
Narada (within the Narada–Sanatkumara dialogue frame)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
It teaches that even Brahmā’s creative act is empowered by propitiating the Divine Power (Śakti), identified through names like Lakṣmī, Māyā, and Sāvitrī—showing worship as the root of manifestation and order.
By stating that creation follows ‘samārādhana’ (reverent worship), the verse implies that devotion is not merely emotional but a potent, disciplined approach that aligns the devotee with the cosmic source of auspiciousness and power.
It highlights mantric praxis—invocation through sacred syllables and the Sāvitrī (Gāyatrī) principle—pointing to the technical role of mantra and correct utterance (linked to Śikṣā/phonetics) in Vedic ritual effectiveness.