The Exposition of the Krishna Mantra (Kṛṣṇa-mantra-prakāśa): Nyāsa, Dhyāna, Worship, Yantra, and Prayoga
विलिखेत्स्मरगायत्रीं मालामंत्रं दलाष्टके । षटूषः संलिख्य तद्बाह्ये वेष्टयेन्मातृकाक्षरैः ॥ १९० ॥
vilikhetsmaragāyatrīṃ mālāmaṃtraṃ dalāṣṭake | ṣaṭūṣaḥ saṃlikhya tadbāhye veṣṭayenmātṛkākṣaraiḥ || 190 ||
Inscríbase la Smara-gāyatrī y el Mālā-mantra en el loto de ocho pétalos. Tras escribir las seis “ūṣa” (componentes silábicos), rodéese luego por fuera con las letras Mātṛkā, es decir, el alfabeto sánscrito completo.
Sanatkumara (in instruction to Narada)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It prescribes a precise mantra-and-diagram (yantra) layout: placing key mantras in an eight-petalled lotus and sealing/guarding the field by encircling it with the Mātṛkā (alphabet), implying completeness, protection, and ordered activation of mantra-power.
While primarily technical, it supports bhakti-oriented worship by giving a disciplined method to focus the mind and offerings through mantra-structure—turning devotion into a precise, repeatable ritual practice.
It highlights mantra-vidhi and akṣara-prayoga (practical use of syllables/letters), a technical discipline aligned with śikṣā (phonetics) and ritual procedure—showing how specific letters and layouts are employed in worship.