Narada Purana — Purva Bhaga, Shloka 155
The Exposition of the Krishna Mantra (Kṛṣṇa-mantra-prakāśa): Nyāsa, Dhyāna, Worship, Yantra, and Prayoga
मध्ये केणेषु बाह्येष्वनलपुरपुटस्यालिखेत्कर्णिकायां कंदर्पं साध्ययुक्तं विवरगतषडर्णद्विषः केशरेषु । शक्तिः श्रीपूर्विकाणिद्विनवलिपिमनोरक्षराणिच्छदानां मध्ये वर्णान्दशान्तो दशलिपिमनुवर्यस्य वैकैकशोऽब्जम् ॥ १५५ ॥
madhye keṇeṣu bāhyeṣvanalapurapuṭasyālikhetkarṇikāyāṃ kaṃdarpaṃ sādhyayuktaṃ vivaragataṣaḍarṇadviṣaḥ keśareṣu | śaktiḥ śrīpūrvikāṇidvinavalipimanorakṣarāṇicchadānāṃ madhye varṇāndaśānto daśalipimanuvaryasya vaikaikaśo'bjam || 155 ||
En los ángulos centrales y externos del diagrama de loto (el recinto de la “ciudad de fuego”), debe inscribirse en el pericarpio el Kāma-bīja junto con el objeto buscado (sādhya). En los pétalos, colóquese el mantra de seis sílabas, el “enemigo de las seis aberturas”, que refrena las seis puertas de los sentidos. Luego, poniendo por delante a Śakti y a Śrī, escríbanse las sílabas protectoras de la mente dispuestas como dos veces nueve letras; y en las envolturas intermedias, inscríbanse las diez letras que culminan en la décima, y el mantra de diez letras del excelso Anuvarya—cada uno, uno por uno—sobre el loto.
Sanatkumara (in dialogue teaching Narada technical mantra-vidhi)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
FAQs
It presents a precise mantra–yantra procedure: placing specific bījas and protective syllables in the lotus’s pericarp, petals, and enclosures so that the sādhaka’s intention is supported by controlled senses and stabilized mind.
Though technical, the structure assumes surrender to divine Śakti and Śrī and disciplined sense-restraint; such inner order is treated as supportive to focused worship and remembrance, which are core to bhakti-oriented practice.
Ritual-technical knowledge: mantra-nyāsa, syllabic mapping (akṣara-vinyāsa), and diagrammatic placement (yantra-lekhana) used for protective and goal-oriented rites—typical of the Purana’s technical-science material in Book 1.3.