The Exposition of the Krishna Mantra (Kṛṣṇa-mantra-prakāśa): Nyāsa, Dhyāna, Worship, Yantra, and Prayoga
एवं ध्यात्वार्चयेन्मन्त्री स्यादंगैः प्रथमावृतिः । श्रीकामः सस्वराद्यानि कलाब्जैर्वैष्णवोत्तमः ॥ ११४ ॥
evaṃ dhyātvārcayenmantrī syādaṃgaiḥ prathamāvṛtiḥ | śrīkāmaḥ sasvarādyāni kalābjairvaiṣṇavottamaḥ || 114 ||
Habiendo meditado así, el conocedor del mantra debe realizar la arcanā (adoración); el primer recinto (āvaraṇa) se cumple con los mantras de los aṅgas. El más excelso vaiṣṇava, deseoso de śrī (prosperidad y gracia), debe venerar las partes silábicas, comenzando por las vocales (svaras), mediante los “lotus de las kalās” (kalā-abjas).
Narada (teaching arcana/mantra procedure in the Vedanga-technical section)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It links inner contemplation (dhyāna) with outer worship (arcana), teaching that correct ritual order—beginning with the first āvaraṇa using aṅga-mantras—stabilizes devotion and invokes auspiciousness (śrī).
Bhakti here is expressed as disciplined Vaiṣṇava pūjā: meditate on the deity first, then worship systematically with mantra-limbs and arranged enclosures, showing devotion through precise, reverent practice.
It highlights mantra-śāstra style procedure: using aṅga-mantras (ritual “limbs”) and attention to mantra phonetics/units beginning with svaras (vowels/tones), reflecting Śikṣā/phonetic awareness within ritual application.