The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
मुनिरत्रिश्च जगती छन्दो बुद्धिमतां वर । देवता नृहरिः प्रोक्तो विनियोगोऽखिलाप्तये ॥ ३ ॥
muniratriśca jagatī chando buddhimatāṃ vara | devatā nṛhariḥ prokto viniyogo'khilāptaye || 3 ||
El ṛṣi (vidente) es Atri; el metro es Jagatī, oh el mejor entre los sabios. La deidad regente se declara como Nṛhari (Narasimha). La aplicación de este (mantra/himno) es para alcanzar todos los fines.
Narada (teaching in a technical/vedanga-style format)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It frames the mantra in the classical Vedic way—naming ṛṣi (Atri), chandas (Jagatī), devatā (Nṛhari)—so the practitioner aligns intention and devotion correctly, aiming at comprehensive attainment (akhila-āpti).
By explicitly identifying Nṛhari (Narasimha/Viṣṇu) as the devatā, it directs the mantra’s focus toward Viṣṇu-bhakti, where results arise from deity-centered remembrance and surrender rather than mere recitation.
Chandas/Vedāṅga usage: it specifies the Jagatī metre and the mantra’s viniyoga, reflecting the technical rubric used in Vedic ritual and mantra practice.