Shloka 3

वारुणी सभा — Varuṇa’s Divine Assembly

Nārada’s Description

Devanagari script

नीलपीतासितश्यामै: सितैलॉहितकैरपि । अवतानैस्तथा गुल्मैर्मज्जरीजालधारिभि:

Transliteration

nīlapītāsitaśyāmaiḥ sitailohitakair api | avatānaiḥ tathā gulmair mañjarījāladhāribhiḥ ||

Translation

Nārada describió: Las distintas partes de aquel salón estaban cubiertas de enredaderas y arbustos de muchos tonos—azul, amarillo, negro, oscuro, blanco y rojo—y aquellas lianas sostenían encantadores racimos y redes de flores.

Word by Word

• नीलपीतासितश्यामैः: with (things) of blue, yellow, black, and dark color
• नीलपीतासितश्यामैः: Karana
• Type: Adjective
• Root: नील-पीत-असित-श्याम
• Form: Masculine/Neuter, Instrumental, Plural

• सितैः: with white (ones)
• सितैः: Karana
• Type: Adjective
• Root: सित
• Form: Masculine/Neuter, Instrumental, Plural

• लोहितकैः: with reddish (ones)
• लोहितकैः: Karana
• Type: Adjective
• Root: लोहितक
• Form: Masculine/Neuter, Instrumental, Plural

• अपि: also/even
• Type: Indeclinable
• Root: अपि

• अवतानेैः: with festoons/garlands/creepers (hanging decorations)
• अवतानेैः: Karana
• Type: Noun
• Root: अवताण (अवताने)
• Form: Masculine/Neuter, Instrumental, Plural

• तथा: and likewise
• Type: Indeclinable
• Root: तथा

• गुल्मैः: with shrubs/bushes
• गुल्मैः: Karana
• Type: Noun
• Root: गुल्म
• Form: Masculine, Instrumental, Plural

• मज्जरीजालधारिभिः: with (those) bearing nets/clusters of flower-bunches
• मज्जरीजालधारिभिः: Karana
• Type: Adjective
• Root: मज्जरी-जाल-धारिन्
• Form: Masculine/Neuter, Instrumental, Plural

Speaker

नारद उवाच

Characters & Entities

• Nārada
• sabhā (royal assembly hall)
• avatāna (creepers/vines)
• gulma (shrubs)
• mañjarī-jāla (networks of flower-clusters)

Educational Q&A

What is the core teaching?

The verse primarily functions as vivid description rather than direct moral instruction; indirectly, it highlights how external magnificence and cultivated beauty can frame—and sometimes mask—deeper ethical and political tensions that unfold in the royal court.

What is happening in the narrative?

Nārada is describing the assembly hall’s interior adornment: various areas are covered with multicolored creepers and shrubs, richly laden with attractive clusters of blossoms, emphasizing the hall’s extraordinary, almost enchanted grandeur.