कालियदमना: यमुनाशुद्धिः, करुणा-निग्रहः, स्तुति-तत्त्वम्
एकदा तु विना रामं कृष्णो वृन्दावनं ययौ विचचार वृतो गोपैर् वन्यपुष्पस्रगुज्ज्वलः
ekadā tu vinā rāmaṃ kṛṣṇo vṛndāvanaṃ yayau vicacāra vṛto gopair vanyapuṣpasragujjvalaḥ
Once, without Rāma (Balarāma), Śrī Kṛṣṇa went to Vṛndāvana; surrounded by the cowherd boys and radiant with garlands of forest-flowers, he wandered in divine play through the woodland.
Sage Parāśara (narrating to Maitreya)
Speaker: Parasara
Teaching: Historical
Quality: narrative
Avatara: Krishna
Purpose: To protect Vraja and restore dharma by subduing destructive powers that threaten the Yamunā region.
Leela: Loka-rakshana
Dharma Restored: Safety and harmony of Vraja’s pastoral order under divine protection.
Concept: The Lord who sports among the gopas is also the antaryāmin, inwardly ruling his own creation while remaining intimately accessible.
Vedantic Theme: Brahman
Application: Practice remembrance (smaraṇa) of Kṛṣṇa in daily life, seeing the divine presence within ordinary places and friendships.
Vishishtadvaita: Immanence without loss of transcendence: the same Supreme is both indwelling controller and lovable personal Kṛṣṇa.
Vishnu Form: Krishna
Bhakti Type: Sakhya
Antaryamin: Yes
It highlights a distinct moment of Kṛṣṇa’s independent līlā—his free, self-willed movement among devotees—while keeping the focus on his intimate bond with the gopas and Vṛndāvana.
Through simple narrative description: Parāśara depicts Kṛṣṇa as surrounded by gopas and adorned with forest garlands, a pastoral scene that conveys divine accessibility while the broader Purāṇic frame preserves his supreme status.
Kṛṣṇa is presented as Vishnu’s avatāra whose ‘play’ in the world is not limitation but lordly sport—suggesting the Supreme Reality can be both transcendent and intimately present with devotees.