नृत्यं गीतं च वाद्यं च अलीकमपि यश्चरेत् । तस्य तुष्येदनंतंहि गीतवाद्यफलं यतः
nṛtyaṃ gītaṃ ca vādyaṃ ca alīkamapi yaścaret | tasya tuṣyedanaṃtaṃhi gītavādyaphalaṃ yataḥ
Even if one performs dance, song, and instrumental music imperfectly, Ananta is pleased with that devotee—for from such offerings arise the fruits of sacred singing and music.
Sūta (Lomaharṣaṇa) to the sages (deduced)
Type: temple
Scene: A temple courtyard during worship: devotees sing and play drums/cymbals; a dancer performs before the sanctum; the deity ‘Ananta’ is evoked as the pleased, all-pervading Lord receiving the offering.
Bhakti outweighs technical perfection—devotional arts offered with sincerity delight the Infinite.
No tīrtha is referenced; the verse emphasizes the value of devotional performance within worship.
Offer dance, singing, and instrumental music as part of worship; even imperfect performance is accepted when devotional.