यावंत एव तालाः स्यु रागास्तावंत एव हि । इति गीतोपनिषदा प्रत्यहं सा शुभव्रता
yāvaṃta eva tālāḥ syu rāgāstāvaṃta eva hi | iti gītopaniṣadā pratyahaṃ sā śubhavratā
As many as there are tālas (rhythmic measures), so many indeed are the rāgas. Thus instructed by the “Gītopaniṣad,” that woman of auspicious vows practiced day after day.
Skanda (deduced for Kāśīkhaṇḍa narrative)
Tirtha: Kāśī
Type: kshetra
Scene: A devoted woman, instructed by a ‘Gītopaniṣad’, practices daily—counting tāla with fingers while singing a rāga as an offering before a Śiva symbol.
Devotion is sustained through disciplined daily practice; sacred sound (music/rhythm) becomes a vehicle for steadfast worship.
The setting is Kāśī; the chapter’s devotional arc centers on Śiva’s Oṃkāra-liṅga within Kāśī’s sacred landscape.
A pratyaha (daily) observance is implied—regular devotional practice grounded in sacred sound/teaching.