रम्या रत्नावली नाम रूपलावण्यशालिनी । कलाकलापकुशला मधुरालापवादिनी
ramyā ratnāvalī nāma rūpalāvaṇyaśālinī | kalākalāpakuśalā madhurālāpavādinī
She was charming, named Ratnāvalī—endowed with beauty and grace; skilled in a multitude of arts, and one whose speech was sweet and melodious.
Skanda (deduced: Kāśīkhaṇḍa commonly Skanda → Agastya)
Listener: Ṛṣi audience (frame)
Scene: Portrait-like depiction of Ratnāvalī: youthful celestial maiden with luminous complexion, elegant ornaments, poised stance suggesting dance training; she speaks gently while holding a lotus or vīṇā, surrounded by attendants and subtle musical motifs.
Refinement in speech and mastery of arts can become instruments of devotion when oriented toward dharma and worship.
The broader passage belongs to Kāśī’s Ratneśvara-liṅga glorification, though this verse focuses on the devotee’s qualities.
No explicit rite is stated; it introduces Ratnāvalī as a qualified participant in devotional observances.