कंदुकानुग सदृष्टि नर्तित भ्रूचलतांचला । मृडानी किल खेलंती ददृशे जगदंबिका
kaṃdukānuga sadṛṣṭi nartita bhrūcalatāṃcalā | mṛḍānī kila khelaṃtī dadṛśe jagadaṃbikā
With her gaze following the ball, her brows dancing and the ends of her garments swaying, Mṛḍānī—Jagadambikā, the Mother of the world—was indeed seen at play.
Skanda (deduced for Kāśīkhaṇḍa narrative to Agastya)
Tirtha: Kāśī
Type: kshetra
Scene: The Goddess plays ball; her eyes track the ball, eyebrows animate like dance, garment-ends sway; she is explicitly recognized as Mṛḍānī/Jagadambikā—playful yet sovereign.
Devotion is nourished by remembering Devī as both transcendent Mother and immanent presence—her līlā becomes a form of praise (stuti).
Kāśī is the implied sacred geography (Kāśīkhaṇḍa context), where the divine is celebrated as vividly present.
None in this verse; it functions as narrative description supporting the Mahātmya.