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Shloka 11

भस्म-प्रकार-त्रिपुण्ड्र-धारण-विधिः

Types of Bhasma and the Method of Wearing Tripuṇḍra

शिवेन विष्णुना चैव तथा तिर्यक्त्रिपुंड्रकम् । उमादेवी च लक्ष्मींश्च वाचान्याभिश्च नित्यशः

śivena viṣṇunā caiva tathā tiryaktripuṃḍrakam | umādevī ca lakṣmīṃśca vācānyābhiśca nityaśaḥ

One should ever make the transverse Tripuṇḍra (three lines of sacred ash), along with the utterance of the names of Śiva and Viṣṇu; and likewise remember Devī Umā and Lakṣmī, and other sacred invocations—constantly.

śivenaby Shiva
śivena:
Karta (Agent/कर्ता)
TypeNoun
Rootśiva (शिव)
FormMasculine, Instrumental (3rd/तृतीया), Singular
viṣṇunāby Vishnu
viṣṇunā:
Karta (Agent/कर्ता)
TypeNoun
Rootviṣṇu (विष्णु)
FormMasculine, Instrumental (3rd/तृतीया), Singular
caand
ca:
null
TypeIndeclinable
Rootca (च)
FormConjunction
evaindeed
eva:
null
TypeIndeclinable
Rooteva (एव)
FormParticle
tathāsimilarly
tathā:
null
TypeIndeclinable
Roottathā (तथा)
FormAdverb
tiryak-tripuṇḍrakamhorizontal triple mark
tiryak-tripuṇḍrakam:
Karma (Object/कर्म)
TypeNoun
Roottiryak-tripuṇḍraka (तिर्यक्त्रिपुण्ड्रक)
FormNeuter, Accusative (2nd/द्वितीया), Singular
umā-devīGoddess Uma
umā-devī:
Karta (Subject/कर्ता)
TypeNoun
Rootumā-devī (उमादेवी)
FormFeminine, Nominative (1st/प्रथमा), Singular
lakṣmīḥLakshmi
lakṣmīḥ:
Karta (Subject/कर्ता)
TypeNoun
Rootlakṣmī (लक्ष्मी)
FormFeminine, Nominative (1st/प्रथमा), Singular
vācāby speech
vācā:
Karana (Instrument/करण)
TypeNoun
Rootvāc (वाच्)
FormFeminine, Instrumental (3rd/तृतीया), Singular
anyābhiḥby others
anyābhiḥ:
Visheshana (Attribute/विशेषण)
TypeAdjective
Rootanya (अन्य)
FormFeminine, Instrumental (3rd/तृतीया), Plural
nityaśaḥconstantly
nityaśaḥ:
null
TypeIndeclinable
Rootnityaśas (नित्यशस्)
FormAdverb

Sūta Gosvāmī (narrating Śiva Purāṇa teachings to the sages at Naimiṣāraṇya)

Tattva Level: pashu

Shiva Form: Mahadeva

Jyotirlinga: Viśvanātha

Sthala Purana: In the Viśveśvarasaṃhitā setting, the teaching is framed as a universal Śaiva dharma centered on Viśveśvara (Lord of the Universe), where external marks (bhasma/tripuṇḍra) and nāma-smaraṇa function as constant remembrance leading to Śiva’s grace.

Significance: Bearing bhasma and tripuṇḍra with nāma-smaraṇa is presented as a daily identity-marker of Śaiva allegiance; in Kāśī-logic it aligns the devotee with Viśveśvara’s salvific sphere and supports liberation-oriented remembrance.

Type: stotra

Shakti Form: Umā

Role: nurturing

S
Shiva
V
Vishnu
U
Uma (Parvati)
L
Lakshmi
T
Tripundra

FAQs

The verse emphasizes nitya-abhyāsa (constant practice): marking the body with Tripuṇḍra and sustaining remembrance through divine names. In a Śaiva Siddhānta frame, this purifies the embodied self (paśu) and aligns it toward Pati (Śiva) through disciplined external sign and inner recollection.

Tripuṇḍra is a visible Śaiva sign closely tied to Linga-worship and vibhūti (sacred ash). It supports Saguna devotion by keeping the worshipper’s body and mind oriented to Śiva’s presence, while the continual utterance of divine names sustains bhakti during and beyond formal pūjā.

Apply the horizontal Tripuṇḍra (vibhūti/bhasma) and accompany it with reverent recitation/remembering of Śiva (and also Viṣṇu), along with honoring Umā and Lakṣmī through auspicious mantric utterances—maintaining this remembrance daily.