भस्म-प्रकार-त्रिपुण्ड्र-धारण-विधिः
Types of Bhasma and the Method of Wearing Tripuṇḍra
जंघाद्वयेपदद्वन्द्वे द्वात्रिंशत्स्थानमुत्तमम् । अग्न्यब्भूवायुदिग्देशदिक्पालान्वसुभिः सह
jaṃghādvayepadadvandve dvātriṃśatsthānamuttamam | agnyabbhūvāyudigdeśadikpālānvasubhiḥ saha
In the pair of shanks and in the pair of feet is the excellent thirty-second seat. There, along with the Vasus, one should contemplate Agni, the Waters, the Earth, the Wind, the directions and regions, and the guardians of the directions.
Suta Goswami
Tattva Level: pati
Shiva Form: Sadāśiva
Role: creative
It maps a “seat” in the lower limbs where the practitioner contemplates the cosmic principles—elements, directions, and their guardians—showing that all powers are ordered within Shiva’s sovereignty and can be integrated into disciplined Shaiva meditation.
By contemplating the elemental deities and dikpalas as subordinate powers, the devotee gathers the many into one and rests awareness in the Saguna Lord symbolized by the Linga—Shiva as Pati who pervades and governs the cosmos.
A dhyana practice of nyasa-like placement: mentally locating this “seat” in the shanks/feet and contemplating Agni, Ap, Bhumi, Vayu, the directions and dikpalas with the Vasus, while maintaining Shaiva focus (optionally with japa of the Panchakshara, Om Namaḥ Śivāya).