Vāyu-jaya (Prāṇa-vijaya) and Yogic Mastery over Time — वायुजय (प्राणविजय) तथा कालजय
भुवोर्मध्ये ललाटस्थं बालार्कसमतेजसम् । तं विदित्वा तु कामांगी क्रीडते कामरूपधृक्
bhuvormadhye lalāṭasthaṃ bālārkasamatejasam | taṃ viditvā tu kāmāṃgī krīḍate kāmarūpadhṛk
Located on the forehead, between the eyebrows, it shines with the brilliance of the rising sun. Knowing that sacred seat, the beautiful-limbed one—assuming forms at will—sports in divine play.
Suta Goswami (narrating the Uma-samhita account to the sages, with the verse describing Umā/Śakti)
Tattva Level: pashu
Shiva Form: Ardhanārīśvara
Significance: Identifies the brow-center as a ‘seat’ of tejas; knowing it yields līlā-siddhi (mastery of form), interpreted as a byproduct rather than the final liberation in Siddhānta.
Shakti Form: Umā
Role: creative
It points to the luminous divine seat between the eyebrows as a yogic locus of awakening, where Śiva’s radiance is contemplated; recognizing that inner brilliance, Śakti (Umā) is described as moving freely in divine līlā—signifying the soul’s progress from bondage toward Śiva-consciousness under the grace of Pati.
The verse links outer devotion to inner contemplation: Saguna worship of Śiva (including the Liṅga) culminates in meditative recognition of His light within. The ‘rising-sun’ splendor evokes Śiva’s manifest grace that becomes an inward experience through dhyāna.
A practical takeaway is dhyāna on the space between the eyebrows (bhrūmadhya) while repeating the Pañcākṣarī—“Om Namaḥ Śivāya”—letting attention rest in the ‘sunlike’ inner light, supported by simple Śaiva observances such as bhasma (tripuṇḍra) and steady japa.